Since the foregoing note appeared in the first edition I have met with the essay of Mr. R. Copley Christie, “Was Giordano Bruno Really Burned?” (Macmillan’s Magazine, October, 1885; rep. in Mr. Christie’s Selected Essays and Papers, 1902). This is a crushing answer to the thesis of M. Desdouits, showing as it does clear grounds not only for affirming the genuineness of the letter of Scioppius, but for doubting the diligence of M. Desdouits. Mr. Christie points out (1) that in his book Ecclesiasticus, printed in 1612, Scioppius refers to the burning of Bruno almost in the words of his letter of 1600; (2) that in 1607 Kepler wrote to a correspondent of the burning of Bruno, giving as his authority J. M. Wacker, who in 1600 was living at Rome as the imperial ambassador; and (3) that the tract Machiavellizatio, 1621, in which the letter of Scioppius was first printed, was well known in its day, being placed on the Index, and answered by two writers without eliciting any repudiation from Scioppius, who lived till 1649. As M. Desdouits staked his case on the absence of allusion to the subject before 1661 (overlooking even the allusion by Mersenne, in 1624, cited by Bayle), his theory may be taken as exploded.
Bruno has been zealously blackened by Catholic writers for the obscenity of some of his writing[219] and the alleged freedom of his life—piquant charges, when we remember the life of the Papal Italy in which he was born. Lucilio Vanini (otherwise Julius Cæsar Vanini), the next martyr of freethought, also an Italian (b. at Taurisano, 1585), is open to the more relevant charges of an inordinate vanity and some duplicity. Figuring as a Carmelite friar, which he was not, he came to England (1612) and deceitfully professed to abjure Catholicism,[220] gaining, however, nothing by the step, and contriving to be reconciled to the Church, after being imprisoned for forty-nine days on an unrecorded charge. Previously he had figured, like Bruno, as a wandering scholar at Amsterdam, Brussels, Cologne, Geneva, and Lyons; and afterwards he taught natural philosophy for a year at Genoa. His treatise, Amphitheatrum Æterna Providentiæ (Lyons, 1615), is professedly directed against “ancient philosophers, Atheists, Epicureans, Peripatetics, and Stoics,” and is ostensibly quite orthodox.[221] In one passage he untruthfully tells how, when imprisoned in England, he burned with the desire to shed his blood for the Catholic Church.[222] In another, after declaring that some Christian doctors have argued very weakly against the Epicureans on immortality, he avows that he, “Christianus nomine cognomine Catholicus,” could hardly have held the doctrine if he had not learned it from the Church, “the most certain and infallible mistress of truth.”[223] As usual, the attack leaves us in doubt as to the amount of real atheism current at the time. The preface asserts that “Ἀθεότητο autem secta pestilentissima quotidie, latius et latius vires acquirit eundo,” and there are various hostile allusions to atheists in the text;[224] but the arguments cited from them are such as might be brought by deists against miracles and the Christian doctrine of sin; and there is an allusion of the customary kind to “Nicolaus Machiavellus Atheorum facile princeps,”[225] which puts all in doubt. The later published Dialogues, De Admirandis Naturæ Arcanis,[226] while showing a freer critical spirit, would seem to be in part earlier in composition, if we can trust the printer’s preface, which represents them as collected from various quarters, and published only with the reluctant consent of the author.[227] This, of course, may be a mystification; in any case the Dialogues twice mention the Amphitheatrum; and the fourth book, in which this mention occurs, may be taken on this and other grounds to set forth his later ideas. Even the Dialogues, however, while discussing many questions of creed and science in a free fashion, no less profess orthodoxy; and, while one passage is pantheistic,[228] they also denounce atheism.[229] And whereas one passage does avow that the author in his Amphitheatrum had said many things he did not believe, the context clearly suggests that the reference was not to the main argument, but to some of its dubious facts.[230] In any case, though the title—chosen by the editors—speaks daringly enough of “Nature, the queen and goddess of mortals,” Vanini cannot be shown to be an atheist;[231] and the attacks upon him as an immoral writer are not any better supported.[232] The publication of the dialogues was in fact formally authorized by the Sorbonne,[233] and it does not even appear that when he was charged with atheism and blasphemy at Toulouse that work was founded on, save in respect of its title.[234] The charges rested on the testimony of a treacherous associate as to his private conversation; and, if true, it only amounted to proving his pantheism, expressed in his use of the word “Nature.” At his trial he expressly avowed and argued for theism. The judges, by one account, did not agree. Yet he was convicted, by the voices of the majority, and burned alive (February 9, 1619) on the day of his sentence. Drawn on a hurdle, in his shirt, with a placard on his shoulders inscribed “Atheist and Blasphemer of the name of God,” he went to his death with a high heart, rejoicing, as he cried in Italian, to die like a philosopher.[235] A Catholic historian,[236] who was present, says he hardily declared that “Jesus facing death sweated with fear: I die undaunted.” But before burning him they tore out his tongue by the roots; and the Christian historian is humorous over the victim’s long cry of agony.[237] No martyr ever faced death with a more dauntless courage than this
Lonely antagonist of Destiny
That went down scornful before many spears;[238]
and if the man had all the faults falsely imputed to him,[239] his death might shame his accusers.
Vanini, like Bruno, can now be recognized and understood as an Italian of vivacious temperament, studious without the student’s calm, early learned, alert in debate, fluent, imprudent, and ill-balanced. By his own account he studied theology under the Carmelite Bartolomeo Argotti, phoenix of the preachers of the time;[240] but from the English Carmelite, John Bacon, “the prince of Averroïsts,”[241] he declares, he “learned to swear only by Averroës”; and of Pomponazzi he speaks as his master, and as “prince of the philosophers of our age.”[242] He has criticized both freely in his Amphitheatrum; but whereas that work is a professed vindication of orthodoxy, we may infer from the De Arcanis that the arguments of these skeptics, like those of the contemporary atheists whom he had met in his travels, had kept their hold on his thought even while he controverted them. For it cannot be disputed that the long passages which he quotes from the “atheist at Amsterdam”[243] are put with a zest and cogency which are not infused into the professed rebuttals, and are in themselves quite enough to arouse the anger and suspicion of a pious reader. A writer who set forth so fully the acute arguments of unbelievers, unprintable by their authors, might well be suspected of writing at Christianity when he confuted the creeds of the pagans. As was noted later of Fontenelle, he put arguments against oracles which endangered prophecy; his dismissal of sorcery as the dream of troubled brains appeals to reason and not to faith; and his disparagement of pagan miracles logically bore upon the Christian.
When he comes to the question of immortality he grows overtly irreverent. Asked by the interlocutor in the last dialogue to give his views on the immortality of the soul, he begs to be excused, protesting: “I have vowed to my God that that question shall not be handled by me till I become old, rich, and a German.” And without overt irreverence he is ever and again unserious. Perfectly transparent is the irony of the appeal, “Let us give faith to the prescripts of the Church, and due honour to the sacrosanct Gregorian apparitions,”[244] and the protestation, “I will not invalidate the powers of holy water, to which Alexander, Doctor and Pontifex of the Christians, and interpreter of the divine will, accorded such countless privileges.”[245] And even in the Amphitheatrum, with all the parade of defending the faith, there is a plain balance of cogency on the side of the case for the attack,[246] and a notable disposition to rely finally on lines of argument to which faith could never give real welcome. The writer’s mind, it is clear, was familiar with doubt. In the malice of orthodoxy there is sometimes an instinctive perception of hostility; and though Vanini had written, among other things,[247] an Apologia pro lege mosaïcâ et christianâ, to which he often refers, and an Apologia pro concilio Tridentino, he can be seen even in the hymn to deity with which he concludes his Amphitheatrum to have no part in evangelical Christianity.
He was in fact a deist with the inevitable leaning of the philosophic theist to pantheism; and whatever he may have said to arouse priestly hatred at Toulouse, he was rather less of an atheist than Spinoza or Bruno or John Scotus. On his trial,[248] pressed as to his real beliefs by judges who had doubtless challenged his identification of God with Nature, he passed from a profession of orthodox faith in a trinity into a flowing discourse which could as well have availed for a vindication of pantheism as for the proposition of a personal God. Seeing a straw on the ground, he picked it up and talked of its history; and when brought back again from his affirmation of Deity to his doctrine of Nature, he set forth the familiar orthodox theorem that, while Nature wrought the succession of seeds and fruits, there must have been a first seed which was created. It was the habitual standing ground of theism; and they burned him all the same. It remains an open question whether personal enmity on the part of the prosecuting official[249] or a real belief that he had uttered blasphemies against Jesus or Mary was the determining force, or whether even less motive sufficed. A vituperative Jesuit of that age sees intolerable freethinking in his suggestion of the unreality of demoniacal possession and the futility of exorcisms.[250] And for that much they were not incapable of burning men in Catholic Toulouse in the days of Mary de Medici.
There are in fact reasons for surmizing that in the cases alike of Bruno and of Vanini it was the attitude of the speculator towards scientific problems that primarily or mainly aroused distrust and anger among the theologians. Vanini is careful to speak equivocally of the eternity of the universe; and though he makes a passing mention of Kepler,[251] he does not name Copernicus. He had learned something from the fate of Bruno. Yet in the Dialogue De cœli forma et motore[252] he declares so explicitly for a naturalistic explanation of the movements of the heavenly bodies that he must have aroused in some orthodox readers such anger as was set up in Plato by a physical theory of sun and stars. After an à priori discussion on Aristotelian lines, the querist in the dialogue asks what may fitly be held, with an eye to religion, concerning the movements of the spheres. “This,” answers Vanini, “unless I am in error: the mass of the heaven is moved in its proper gyratory way by the nature of its elements.” “How then,” asks the querist, “are the heavens moved by certain and fixed laws, unless divine minds, participating in the primal motion, there operate?” “Where is the wonder?” returns Vanini. “Does not a certain and fixed law of motion act in the most paltry clockwork machines, made by a drunken German, even as there works silently in a tertian and quartan fever a motion which comes and goes at fixed periods without transgressing its line by a moment? The sea also at certain and fixed times, by its nature, as you peripatetics affirm, is moved in progressions and regressions. No less, then, I affirm the heaven to be forever carried by the same motion in virtue of its nature (a sua pura forma) and not to be moved by the will of intelligence.” And the disciple assents. Kepler had seen fit, either in sincerity or of prudence, to leave “divine minds” in the planets; and Vanini’s negation, though not accompanied by any assertion of the motion of the earth, was enough to provoke the minds which had only three years before put Copernicus on the Index, and challenged Galileo for venting his doctrine.
It is at this stage that we begin to realize the full play of the Counter-Reformation, as against the spirit of science. The movement of mere theological and ecclesiastical heresy had visibly begun to recede in the world of mind, and in its stead, alike in Protestant and in Catholic lands, there was emerging a new activity of scientific research, vaguely menacing to all theistic faith. Kepler represented it in Germany, Harriott and Harvey and Gilbert and Bacon in England; from Italy had come of late the portents of Bruno and Galileo; even Spain yielded the Examen de Ingenios of Huarte (1575), where with due protestation of theism the physicist insists upon natural causation; and now Vanini was exhibiting the same incorrigible zest for a naturalistic explanation of all things. His dialogues are full of such questionings; the mere metaphysic and theosophy of the Amphitheatrum are being superseded by discussions on physical and physiological phenomena. It was for this, doubtless, that the De Arcanis won the special vogue over which the Jesuit Garasse was angrily exclaiming ten years later.[253] Not merely the doubts cast upon sorcery and diabolical possession, but the whole drift, often enough erratic, of the inquiry as to how things in nature came about, caught the curiosity of the time, soon to be stimulated by more potent and better-governed minds than that of the ill-starred Vanini. And for every new inquirer there would be a hostile zealot in the Church, where the anti-intellectual instinct was now so much more potent than it had been in the days before Luther, when heresy was diagnosed only as a danger to revenue.