And this is history, or what the early Christian leaders thought fit to put in place of history, for Christian edification. The disciples, be it observed, had exorcized in the name of Jesus where Jesus had never been, a detail accepted by the faithful unsuspectingly, and temporized over no less unsuspectingly by the “liberal” school, but serving for the critical student to raise the question: Was there, then, an older cult of a Jesus-God in Palestine? Leaving that problem for the present, we can but note that the report in effect tells that there was no evangel to preach. To any reflecting mind, it is the utterance of men who had nothing to relate, but are inserting an empty framework, wholly mythical, in a void past. Themselves ruled by the crudest superstition, they do but make the Divine Teacher talk on their own level, babbling of Satan falling from heaven, and of treading on serpents. All the labours of the generations of laborious scholars who have striven to get to the foundations of their documents have resulted in a pastiche which only the more clearly reveals the total absence of a historic basis such as the Gospels more circumstantially suggest. In the end we have neither history nor biography, but an absolutely enigmatic evangel, set in a miscellany of miracles and of discourses which are but devices to disguise the fact that there had been no original evangel to preach. If the early church had any creed, it was not this. It originated in a rite, not in an evangel.
One hypothesis might, indeed, be hazarded to save the possibility of an actual evangel by the Founder. If, taking him to be historical, we assume him to have preached a political doctrine subversive of the Roman rule, and to have thereby met his death, we could understand that, in a later period in which the writers connected with the movement were much concerned to conciliate the Romans, it might have been felt expedient, and indeed imperative, to suppress the facts. They would not specify the evangel, because they dared not. On this view the Founder was a Messiah of the ordinary Jewish type, aiming at the restoration of the Jewish State. But such a Jesus would not be the “Jesus of the Gospels” at all. He would merely be a personage of the same (common) name, who in no way answered to the Gospel figure, but had been wholly denaturalized to make him a cult-centre. On this hypothesis there has been no escape from the “myth-theory,” but merely a restatement of it. A Jesus put to death by the Romans as a rebel Mahdi refuses to compose with the Teacher who sends out his apostles to preach his evangel; who proclaims, if anything, a purely spiritual kingdom; and who is put to death as seeking to subvert the Jewish faith, the Roman governor giving only a passive and reluctant assent. On the political hypothesis, as on the myth-theory here put, the whole Gospel narrative of the Tragedy which establishes the cult remains mythical. We have but to proceed, then, with the analysis which reveals the manner of its composition and of its inclusion in the record.
It is admitted by the reconstructors that the primitive Gospel had no conclusion, telling nothing of Last Supper, Agony, Betrayal, Crucifixion, or Resurrection. It did not even name Judas as the betrayer. And they explain that it was because of lacking these details that it passed out of use, superseded by the Gospels which gave them. As if the conclusion, were it compiled in the same fashion, could not have been added to the original document, which ex hypothesi had the prestige of priority. Why the composer of the original did not add the required chapters is a question to which we get only the most futile answers, as is natural when the exegetes have not critically scrutinized the later matter. Thus even Mr. Jolley is content to say:—
The omission of any account of the Passion or Resurrection is natural enough in a writing primarily intended for the Christians of Judæa, some of them witnesses of the Crucifixion, and all, probably, familiar with the incidents of the Saviour’s Judæan ministry, as well as with the events preceding and following the Passion, especially when we remember that the author had no intention (!) of writing a biography.[4]
Here the alleged fact that only some had seen the Crucifixion, while all knew all about the ministry, is given as a reason why the ministry should be described and the Crucifixion left undescribed and unmentioned!
The problem thus impossibly disposed of is really of capital importance. Any complete solution must remain hypothetical in the nature of the case; but at least we are bound to recognize that the Primitive Gospel may have had a different conclusion, as it may further have contained matter not preserved in the synoptics. That might well be a sufficient ground for its abandonment by the Christian community; and some such suspicion simply cannot be excluded, though it cannot be proved. But whatever we may surmise as to what may have been in the original document, we can offer a decisive reason why the existing conclusion should not have been part of it. That conclusion is primarily extraneous to any gospel, and is not originally a piece of narrative at all.
Bernhard Weiss ascribes to Mark the original narrative of the closing events, making Matthew a simple copyist—a matter of no ultimate importance, seeing that it is the same impossible and unhistorical narrative in both documents. Like all the other professional exegetes, Bernhard Weiss and his school have failed to discern that the document reveals not only that it is not an original narrative at all, but that it could not possibly be a narrative. “It was only in the history of the passion,” writes Weiss, “that Mark could give a somewhat connected account partly of what he himself had seen and partly of what he gathered from those who witnessed the crucifixion.”[5] Whether “passion” here includes the Agony in the Garden is not clear: as it is expressly distinguished from the crucifixion, which Mark by implication had not seen, the meaning remains obscure. Like the ordinary traditionalists, Weiss assumes that “after Peter’s death Mark began to note down his recollections of what the Apostle had told him of the acts and discourses of Jesus.” Supposing this to include the record of the night of the Betrayal, what were Mark’s possible sources for the description of the Agony, with its prayers, its entrances and exits, when the only disciples present are alleged to have been asleep?
It is the inconceivable omission of the exegetes to face such problems that forces us finally to insist on their serious inadequacy in this regard. They laboriously conduct an investigation up to the point at which it leaves us, more certainly than ever, facing the incredible, and there they leave it. Their work is done. That the story of the Last Night was never framed as a narrative, but is primarily a drama, which the Gospel simply transcribes, is manifest in every section, and is definitely proved by the verses ([Mk. xiv, 41–42]) in which, without an intervening exit, Jesus says: “Sleep on now, and take your rest.... Arise, let us be going.” The moment the document is realized to be a transcript of a drama it becomes clear that the “Sleep on now, and take your rest” should be inserted before the otherwise speechless exit in verse 40, where the text says that “they wist not what to answer him.” Two divergent speeches have by an oversight in transcription been fused into one.
That the story of the tragedy is a separate composition has been partly perceived by critics of different schools without drawing any elucidating inference. Wellhausen pronounces that the Passion cannot be excepted from the verdict that Mark as a whole lacks the character of history. “Nothing is motived and explained by preliminaries.”[6] But “we learn as much about the week in Jerusalem as about the year in Galilee.”[7] And the Rev. Mr. Wright gets further, though following a wrong track:—
The very fact that S. Mark devotes six chapters out of sixteen to events which took place in the precincts of Jerusalem makes me suspicious. Important though the passion was, it seems to be narrated at undue length. The proportions of the history are destroyed.[8]