Then the dead man got up, and he took one stick, and he gave the other to myself. We went in and saw them lying together with her head on his arm.
The dead man hit him a blow with the stick so that the blood out of him leapt up and hit the gallery.
That is my story.
In stories of this kind he always speaks in the first person, with minute details to show that he was actually present at the scenes that are described.
At the beginning of this story he gave me a long account of what had made him be on his way to Dublin on that occasion, and told me about all the rich people he was going to see in the finest streets of the city.
A week of sweeping fogs has passed over and given me a strange sense of exile and desolation. I walk round the island nearly every day, yet I can see nothing anywhere but a mass of wet rock, a strip of surf, and then a tumult of waves.
The slaty limestone has grown black with the water that is dripping on it, and wherever I turn there is the same grey obsession twining and wreathing itself among the narrow fields, and the same wail from the wind that shrieks and whistles in the loose rubble of the walls.
At first the people do not give much attention to the wilderness that is round them, but after a few days their voices sink in the kitchen, and their endless talk of pigs and cattle falls to the whisper of men who are telling stories in a haunted house.
The rain continues; but this evening a number of young men were in the kitchen mending nets, and the bottle of poteen was drawn from its hiding-place.
One cannot think of these people drinking wine on the summit of this crumbling precipice, but their grey poteen, which brings a shock of joy to the blood, seems predestined to keep sanity in men who live forgotten in these worlds of mist.