Russell (John). See [Amberley].
Ryall (Malthus Questell), was secretary of the Anti-Persecution Union, 1842, and assisted his friend Mr. Holyoake on The Oracle of Reason and The Movement. Died 1846.
Rydberg (Abraham Viktor), Swedish man of Letters, b. Jönköping, 18 Dec. 1829. He has written many works of which we mention The Last Athenian Roman Days, and The Magic of the Middle Ages, which have been translated into English.
Rystwick (Herman van), early Dutch heretic who denied hell and taught that the soul was not immortal, but the elements of all matter eternal. He was sent to prison in 1499, and set at liberty upon abjuring his opinion, but having published them a second time, he was arrested at the Hague, and burnt to death in 1511.
Sabin (Ibn), Al Mursi, Spanish Arabian philosopher, b. Murcia about 1218 of noble family. About 1249 he corresponded with Frederick II., replying to his philosophical questions. Committed suicide about 1271.
Sadoc, a learned Jewish doctor in the third century B.C. He denied the resurrection, the existence of angels, and the doctrine of predestination, and opposed the idea of future rewards and punishments. His followers were named after him, Sadducees.
Saga (Francesco) de Rovigo, Italian heretic, put to death for Anti-Trinitarianism at Venice, 25 Feb. 1566.
Saigey (Emile), French inspector of telegraph wires. Wrote Modern Physics, 1867, and The Sciences in the Eighteenth Century: Physics of Voltaire, ’74. Died 1875.
Saillard (F.), French author of The Revolution and the Church (Paris, ’69), and The Organisation of the Republic, ’83.
Sainte Beuve (Charles Augustin), French critic and man of letters b. Boulogne, 23 Dec. 1804. Educated in Paris, he studied medicine, which he practised several years. A favorable review of V. Hugo’s Odes and Ballades gained him the intimacy of the Romantic school. As a critic he made his mark in ’28 with his Historical and Critical Picture of French Poetry in the Sixteenth Century. His other principal works are his History of Port Royal, ’40–62; Literary Portraits, ’32–39; and Causeries du Lundi, ’51–57. In ’45 he was elected to the Academy, and in ’65 was made a senator. As a critic he was penetrative, comprehensive, and impartial.