Sidelights on Chinese Life

by J. Macgowan

In every home that professes to any respectability, foot-binding is an absolutely essential thing for the girls in it. To neglect this would be to confound them with slave girls, whose feet are never bound, and with the children of the very lowest classes whose poverty would not admit of their adopting this polite custom. It has been found by a very large experience that a girl must be eight years old before her feet will bear the tremendous strain that is put upon them, in the effort to destroy the handiwork of nature.

It is true that in some of the more wealthy homes, where a very small foot is a sign of blue blood, they begin as soon as the girl is six to put her to the torture, but this is not the general rule. By the time the girl is eight, the bones of the feet have become sufficiently hardened to bear the incessant pressure that is put upon them to contract the feet into such a small compass that they will go into a shoe of two or three inches in length.

The process begins by turning all the toes, except the large one, on to the sole of the foot. This of course is a slow but an exceedingly painful one. It is continued week after week and month after month for several years until the toes have been thrown back, at the expense of the instep, which is made to bulge out by the pressure of the bandages; until finally the “Golden lilies,” as these unsightly objects are called, are complete, and the poor girl is a veritable cripple for life.

The cruelty that is practised upon these poor children during the initial operation of binding is very severe. The first few weeks are so very trying that attempts are made by the girls to tear the bandages from their aching, tortured feet. This is resisted by their mothers, who have to resort to brutal methods to keep the little hands from endeavouring to relieve themselves of the pain that has become intolerable.

Tears and shrieks and groans that last all day long, and are heard through the sobs of the poor things, as sleep, restless and disturbed, comes to try and make them forget the agony they are enduring, are the constant experiences in that unhappy home.

The girl begs and entreats the mother to loosen the bandages a little so that the agonizing pain may be diminished, and life may become somewhat more tolerable. The only reply is a tighter wrench upon them, and a strain, that were not nature so elastic, would send the poor thing mad. The morrow comes and the rebandaging takes place. For an instant, as the feet are relieved of the old bandages, and they are shown inflamed and discoloured, a momentary relief is felt by the poor girl who has slept in fitful dozes during the past night, but the moment they are rebound by the new ones, a cry of horror proceeds from her as though a raw sore had been touched, and the house resounds with her screams, whilst the mother, apparently untouched by the agony of her daughter, proceeds with her revolting task, as though she had no heart and no feeling left in her heathen soul.

This terrible martyrdom goes on with scarcely any alleviation for three or four years, the poor victim to fashion suffering acutely all the time. There are moments often repeated when the poor child actually quivers all over from excruciating pain, and it would seem as though flesh and blood could no longer endure the frightful strain put upon her, but must dissolve in tears and groans and unutterable agony.

Foot-binding is one of the most senseless and cruel customs it is possible to imagine. Its origin is dimly hidden in the maze and mist of the past, and no one can say positively how it originated. Tradition holds that it arose in the palace of an Emperor, who had a most beautiful concubine, but whose feet were deformed. To hide their defect they were so manipulated that their glaring deformity was concealed, and the ladies of the court in order to gain her favour bandaged their own in such a manner as to be an exact imitation of those of the royal favourite. From that time, it is said, the insane and hideous custom began to spread from the court into the capital, and from there it began to be copied by the women of the Empire.

The popular legend makes this woman to be T’a Ki, the famous concubine of Show Sin, the last ruler of the famous Chow Dynasty (B.C. 1146). She is said to have been the most beautiful woman that ever lived, but to have been inhuman and vicious beyond anything that human language can express. She was the cause of the fall of the dynasty, a dynasty in which was enshrined the great names of Confucius, Mencius, Tau-tze the founder of Tauism, and Wu Wang.

To account for the fatal influence of this famous beauty, it is declared that she was a fox fairy, who had assumed the form of a woman in order to be able to hurry on the ruin of China. In the transformation everything was changed but her feet, and in order to disguise these she had to resort to the most ingenious methods. To curry favour with her the ladies-in-waiting in the palace bound theirs to imitate the appearance of hers, and so the custom of foot-binding was commenced that has lasted all these ages.