About the middle of the eighteenth century there was a famous witch that lived at Hannayston, in the Kells, who was credited with wonderful powers, and many stories of her exploits are still current. Some say her name was Nicholas Grier, others that it was Girzie M‘Clegg, but it matters little which now. Some of Lucky’s favourite pastimes were, drowning anyone she had a spite at by sinking a caup in the yill-boat in her kitchen; sucking cows in the shape of a hare; frightening people at night by appearing to them like a little naked boy; walking in the resemblance of a cat on its hind legs; conversing with travellers on the road; and sending young people into declines.[(4)]
The old Church of Dalry has a legend of witch-festival surrounding it, which gives it a distinction something akin to the better-known tradition of Alloway Kirk. The following version is taken from Harper’s Rambles:—
“Adam Forester, proprietor of Knocksheen, had been detained one evening until near midnight in the public-house at Dalry. On the way home he had to pass the church, and being perhaps like the famous Tam o’ Shanter, through indulging in inspiring bold John Barleycorn, ready to defy all dangers in the shape of goblin and spirit, he very soon had his mettle tested. On reaching the church the windows ‘seemed in a bleeze,’ and from within loud bursts of mirth and revelry reached the ears of the astonished laird. Nothing daunted however, he dismounted, and securing his horse to a tree near the church-yard wall, he peered in at the window, and to his astonishment, amongst those engaged in the ‘dance o’ witches’ were several old women of his acquaintance, amongst whom was the landlady of the public-house where he had spent the greater part of the evening, and which he had just left. Horrified with such desecration of the sacred edifice, and unable longer to restrain his displeasure, Forester shouted, ‘Ho! ho! Lucky, ye’ll no deny this the morn!’ knocking at the same instant against the window frame with his whip. In a moment the lights were extinguished, and the witches with loud yells rushed out of the church after him; but the laird, having gained his horse, went off at a furious gallop for the ford on the Ken, his pursuers following hard upon him, their frantic and hideous shouts striking terror to his heart. As they could not cross the running stream, they flew to the Brig o’ Ken, six miles distant, where they crossed and overtook Adam on Waterside Hill, tearing all the hair out of the horse’s tail, and Lucky getting her black hand on the horse’s hip. She left its impression there for life. The laird, finding he could proceed no further, dismounted and was only saved from being torn to pieces by describing a circle in God’s name round himself and horse. This charm proved effectual. The fury of the mysterious band was arrested, and at daybreak he rode home to his residence.”
The story is still current in the Glenkens, and what is supposed to be the circle drawn by the laird is pointed out on Waterside Hill.
In concluding the account of “traditional witchcraft,” there yet falls to be mentioned one outstanding form in which beautiful and seductive female shapes were assumed to tempt through the flesh, the destruction of soul and body. There is no better reference to this than in the local traditional tale of the “Laird of Logan” of Allan Cunningham, where the struggle between the powers of darkness and those of good contend, not without a certain dignity of purpose, for the mastery. The following is the dramatic denouement:—
“He took a sword from the wall, and described a circle, in the centre of which he stood himself. Over the line drawn with an instrument on which the name of God is written, nought unholy can pass. ‘Master, stand beside me, and bear ye the sword.’ He next filled a cup with water, and said, ‘Emblem of purity, and resembling God, for He is pure, as nought unholy can pass over thee whilst thou runnest in thy native fountain, neither can ought unholy abide thy touch, thus consecrated—as thou art the emblem of God, go and do His good work. Amen.’ So saying he turned suddenly round and dashed the cupful of water in the face and bosom of the young lady—fell on his knees and bowed his head in prayer. She uttered scream upon scream; her complexion changed; her long locks twined and writhed like serpents; the flesh seemed to shrivel on her body; and the light shone in her eyes which the Master trembled to look upon. She tried to pass the circle towards him but could not. A burning flame seemed to encompass and consume her; and as she dissolved away he heard a voice saying, ‘But for that subtle priest, thou hadst supped with me in hell.’”