“During the course of the day, Professor Richet said to Mrs. S. that it would perhaps be well if she spoke to the medium about his sister; but Mrs. Stephens answered: ‘No. Wait a little longer. I would have spoken to M. Meurice, had I been encouraged to do so by the spirits; but I think it better to let the spirits tell them.’

“Thursday passed away without any further incident, and nothing was said to Dr. Maxwell concerning Mrs. Stephens’s experiences in the night, or the concomitant nature of the automatic script with those experiences.

“On Friday morning, Dr. Maxwell told Professor Richet that he had just obtained more automatic writing through M. Meurice. This writing purported to be a communication from Chappe. The communication concerned Mrs. Stephens, said Dr. Maxwell, but was not to be given to her for the time being. Chappe asked that a sitting might be arranged for on the same afternoon, as he had something to say. The sitting took place; it lasted from two to six o’clock, during the whole of which time Chappe did not once make use of his well-known subterfuges of ‘fatigue,’ ‘silence,’ ‘no power,’ etc.; and, though as the seance wore on M. Meurice was very visibly fatigued, the operating agency manifested absolute indifference to such fatigue. It was as though Chappe had indeed something to say and meant to say it. The messages were given by means of raps without contact to begin with, but in order to diminish the chances of fatigue to the medium, we begged him to use the pencil as a rapping instrument. The light was strong,—an afternoon summer sunlight shining into the room; the pencil did not move when the raps were heard. The latter were given with force and without any hesitation; they were as strong at the end of the seance as at the beginning.”

(In order to afford the reader every assistance in his appreciation and analysis of these messages, we will give them in the original.)

“Chappe gave his special signal intimating he was present.

“Observer: ‘You wish to speak with us, Chappe?’

“Chappe: ‘Je veux demander à vos amis la permission de vous parler de ce qui vous intéresse.’

“Acting on the advice of Chappe, we then traced the ‘magic circle’ in order to prevent, as Chappe said, the intervention of too many influences, and to preserve purity in the phenomena.

“Observer, after an interval of ten minutes: ‘Are you ready, Chappe?’