A. A friend.


This is simply nonsense. I have quoted these three examples in order to show the growing analogy found therein with the delirium of dream. It is scarcely visible in the first quotation, which is coherent, logical and of fairly elegant form. But the ideas which are expressed have their sources in subconscious souvenirs: they will be found in Spirit Teachings, Higher Aspects of Spiritualism, Occult World, and Esoteric Buddhism.

The second quotation reveals decided oneiroscopic associations. The name Beaupuyat awakens no souvenir; the name of a street having nearly the same assonance is then substituted for it; this is an illogical association, formed by phonetic elements. The explanation of the contradiction between the names given successively is very illogical, but it is what might be called ‘a good hit.’ This is one of our ways of reasoning with ourselves in dreams.

The third quotation shows a still more marked degree of incoherence. The first replies are attempts at conciliation of contradictions impossible to do away with: they are affirmations which are but echoes of the questions asked. I do not quite understand the association between subliminal and will; but the emergence of the idea of will gives place to a curious phenomenon: the evolution of a parasitical association of ideas bringing to mind the psychological phenomenon which A. Pick describes under the name of Vorbeidenken. We have non-expressed stages, from will to ‘God’s will,’ words which are often associated together in religious language: ‘to do the will of God, to be agreeable to God.’ The incoherent reply, which consists in saying that the Mahatmas make fun of the subject in order to be agreeable to God, is then the last link of a chain of latent associations; this last link is the only one shown. Also, the incongruous idea of beings who call themselves spirits and wise men, and declare they must be whipped, is the result of an evident association between the idea of being severe consciously expressed, and the idea of severity, chastisement, whip, average latent terms. The psychological analysis, therefore, reveals to us mental processes which are known and classed. It shows us, that the dream character of subconscious messages does not differ from that observed in the mental operations of the consciousness, as soon as the latter’s personal and voluntary activity becomes weakened or gradually gives place to spontaneous ideation. I think the three examples I have chosen show this progressive debilitation very well, and also the corresponding accentuation of the characteristics of dream in the messages obtained. The case I examined is at the limit of paranormal facts, but the inquisitive reader has at his disposal the weighty analysis of the transcendental cases published in the Proceedings of the Society for Psychical Research, epitomised by M. Sage in his book Mrs. Piper et la Société Anglo-Américaine des Recherches Psychiques, to verify the accuracy of my conclusion, viz. that the mental processes in simple cases, as well as in the more complex cases, are identical.

I return to the case observed by me. The obstinacy of even the best and most moral of these personalities in refusing to expose themselves to any control whatsoever, the falsehoods they were imprudent enough to overlook, and the critical attitude of mind of the sensitive himself, awakened a spirit of distrust in the latter. He began to observe himself, and the first result of his observation of the conditions under which the writing was produced, was the gradual disappearance of the sensation of impulse which he had felt: his pencil, he told me, had seemed to follow a magnet. As this sensation weakened and disappeared, so the personifications affected to be either grievously pained, or cold and dignified, or frankly insolent; they all deplored the sensitive’s incredulity. The relation bade him adieu and appeared no more; Hymaladar himself ceased to be interested in his chela. The sensitive soon saw the futility of his efforts, and the writing ceased completely to present the peculiarity it had offered during several weeks.

This case is instructive, because it is on the borderline between conscious and unconscious phenomena. Thanks to the clear and complete indications on the part of the sensitive, I was able to reconstitute the genesis of every personality. That of the relation is easily explained, but Hymaladar was more rebellious to analysis. Upon investigation it appeared to me to be the synthesis of the words Hymalaya and Damodar. The one, which quite naturally evokes the thought of India, is the dwelling-place of the sages who, it appears, preside in a very secret manner at the evolution of the theosophical movement; the disciple or chela of one of them was the guru, the master of Madame Blavatsky. His name was Damodar. The associated ideas—Blavatsky, India, Hymalaya, Damodar—lead up to the word Hymala (ya Damo) dar; the genesis of the word is thus quite comprehensible.

At present I am observing a more complex case, in which paranormal phenomena accompany automatic writing. The sensitive, who is in the act of developing his medianity, unfortunately gives himself up rather unwillingly to observation. He does not know English, yet he has automatically written certain phrases in English. However, we must not conclude therefrom, that these messages are of transcendental origin. This sensitive is a well-educated person, and most probably English words and phrases have fallen under his eyes from time to time; thus the irruption of English in messages he obtains may be explained by the emergence of subconscious souvenirs. The tenor of the messages is still vague; the writing is often difficult to read; no precise fact capable of being analysed and verified has so far been given. It appears to me useless, in these circumstances, to give examples of these messages, but I will point out an interesting peculiarity which I have observed only with this sensitive. This is the concomitancy of raps and automatic writing. I have most carefully studied these raps; they appear to me to occur on a level with the point of the pencil. The phenomenon is forthcoming in broad daylight, and under excellent conditions of observation. An attentive examination shows that the point of the pencil does not leave the paper. The raps are forthcoming even when I put my finger on the upper end of the pencil, and when I press the point on the paper. The pencil vibrates, but it is not displaced. As these raps are very sonorous, I have calculated that it would be necessary to give rather a strong knock in order to reproduce them artificially: the necessary movement would require raising the pencil from the twentieth to the eighth of an inch, according to the intensity of the raps. Now, the pencil does not appear to be displaced. Further, when the writing runs quickly the raps succeed one another with great rapidity, and the close examination of the writing reveals no stops; the text is unbroken, no trace of pencil dots is perceptible, there is no thickening of the characters. The conditions of observation appear to me to exclude the possibility of a trick. I will add that during this automatic writing the arm and hand of the sensitive are in a state of anæsthesia.

3. Phonetic and mixed automatisms. I combine these two categories of automatisms because the automatism is seldom purely phonetic. The sensitive makes gestures appropriate to the personage he represents, and the automatism is complicated; the muscles which regulate the emission of the voice are not the only ones in activity.

This kind of automatism is very easy to observe. It is the basis of ordinary spiritistic seances; it is called ‘incarnation’ or ‘control,’ and the sensitive, who produces this kind of phenomena, is called a ‘trance medium.’