It is a truly pleasing sight, the dance on the green of the valley, by daytime beneath the wide spread shade of aged oaks, in the twilight by the light of the harvest moon at its full, or with only the stars of night aided by the blazing pile of logs to illumine the scenes; while the long frocks of the deli-kans wave in concert with the skirts of the maidens, and youthful pleasure trips on tiptoe around the ring.

There is also the clown's dance, generally executed at entertainments after the mead or boza has worked sufficiently on the brain to produce a moderate degree of hilarity. It commences with a measured clapping of hands; a few low notes succeed, which, as the audience joins in, swell into a lively air; when some wild-looking "ghilly" in a long, tattered coat springs into the centre of the circle and begins shuffling. As he proceeds the singing grows gradually louder, accompanied from time to time with a more violent clapping of hands. Even shouts and screams are occasionally added to spur him on. Excited to the highest pitch of enthusiasm he then hops about with vigor, springing on the very points of his toes, and spinning around with great velocity, until suddenly down he drops flat on the green with strange ventriloquial sounds, mingled with moans as if the fall had half killed him. Then he throws off a volley of witty impromptus which set the ring in a roar of laughter; to these are added comical imitations of the cries of various animals; next he addresses some chieftain present in a strain of mock eloquence; and finally, the laughing devil leaping out of his eye, ends his buffoonery with dealing a pretty good whack or two over the shoulders of the most reverend seignor in the company, who, if he himself is a serf, may be his own master.

Frequently the dancer accompanies his motions more or less with his voice, being assisted also by the audience, who beat the measure with their hands, and chant the chorus of A-ri-ra-ri-ra. And as from time to time holding up his long garment behind with both hands, and bending his body low, he watches exultingly the movement of his feet, he shouts aloud with plaintive voice as if undergoing severe pain instead of experiencing an ecstasy of delight.

When the song of the dancer runs on love and vaunts the praises of some maiden renowned for beauty, the young warriors present pledge their own sweethearts in bowls of boza, and every few minutes discharge their pistols or rifles in the air. This latter act is always regarded as a challenge to the whole company, and whoever has a charge of gunpowder left immediately burns it in honor of the superior charms of his lady-love.

The intervals of repose between the dances and songs are very naturally filled up by story-telling. For the Circassians are scarcely less fond of tales and fables than of music and the fling. Having no books they hang eagerly upon the lips of whoever is skilled in recounting story, legend, and adventure, with the gift perhaps of throwing in scraps of song, proverbs, and jests, together with occasional displays of mimicry, feats in ventriloquism, grimaces, whistling, chirruping, and ringing all the changes of laughter. The winter evening's log burns to embers while some clever, sweet-tongued narrator repeats some of the thousand and one tales of the war against the Russians, or recites the adventures of the chase on the Terek and in the higher Caucasus, or dwells in turn now upon the ancient traditions of the tribes, and now on the wonders which the recent traveller has beheld in Tiflis, Constantinople, or St. Petersburg. The imagination of the mountaineer is ardent, however simple may be his own manner of life, and he loves especially to hear of the marvels of either eastern or western magnificence; so that when after an evening spent in listening to such recitals he lays his head upon his mat or his saddle, it is full to bursting of hanging gardens and marble palaces, high towers and the minarets of mosques, the gorgeous ceremonies of courts, the array and glitter of parades, and the gaudy street-pageants and bustle of affairs in the great metropolitan capitals of the plains.

XV.

FESTIVALS.


The Circassian year was pretty well crowded with festivals until recently, when the introduction of the Mahometan doctrines put an end to a good many of the merry usages of paganism. The hearts of the people continuing to cling with tenacity, however, to what was most pleasing in the ancient superstitions, there are still left a considerable number of the old festal ceremonies and observances. At new year, at the beginning and ending of the March moon, at the gathering of the harvest, as well as on many minor occasions throughout the year, the people assemble to hold their sacred feasts, when for lack of priests the aged and most revered warriors present to the divinities the prayers of the congregation; the goat, the sheep, or the ox is sacrificed, and afterward feasted upon; libations of mead are poured, though less upon the ground than down the throats of the worshippers; while unleavened bread and cheese-cakes are devoured with a voraciousness very little akin to devotion. Dances, songs, and stories are duly intermingled; also racing, wrestling, and leaping; and finally, the solemnity is closed with exercises in sharp-shooting, and the discharge of firearms in the air.