Few of those who deserted their ships for amatory reasons had the luck—viewing the escapade from the sailor's standpoint—that attended the schoolmaster of the Princess Louisa. Going ashore at Plymouth to fetch his chest from the London wagon, he succumbed to the blandishments of an itinerant fiddler's wife, whom he chanced to meet in the husband's temporary absence, and was in consequence "no more heard of." [Footnote: Admiralty Records 1. 1478—Capt. Boys, 5 April 1742.]
Had it always been a case of the travelling woman, the sailor's flight in response to the voice of the charmer would seldom have landed him in the cells or exposed his back to the caress of the ship's cat. Where he was handicapped in his love flights was this. The haunt or home of his seducer was generally known to one or other of his officers, and when this was not the case there were often other women who gladly gave him away. "Captain Barrington, Sir," writes "Nancy of Deptford" to the commander of a man-o'-war in the Thames, "there is a Desarter of yours at the upper water Gate. Lives at the sine of the mantion house. He is an Irishman, gose by the name of Youe (Hugh) MackMullins, and is trying to Ruing a Wido and three Children, for he has Insenuated into the Old Woman's faver so far that she must Sartingly come to poverty, and you by Sarching the Cook's will find what I have related to be true and much oblidge the hole parrish of St. Pickles Deptford." [Footnote: Admiralty Records 1. 1495—Capt. Barrington, 22 Oct. 1771, enclosure.]
A favourite resort of the amatory tar was that extra-parochial spot known as the Liberty of the Fleet, where the nuptial knot could be tied without the irksome formalities of banns or licence. The fact strongly commended it to the sailor and brought him to the precinct in great numbers.
"I remember once on a time," says Keith, the notorious Fleet parson, "I was at a public-house at Ratcliffe, which was then full of Sailors and their Girls. There was fiddling, piping, jigging and eating. At length one of the Tars starts up and says: 'Damn ye, Jack! I'll be married just now; I will have my partner.' The joke took, and in less than two hours Ten Couples set out for the Flete. They returned in Coaches, five Women in each Coach; the Tars, some running before, some riding on the Coach Box, and others behind. The Cavalcade being over, the Couples went up into an upper Room, where they concluded the evening with great Jollity. The landlord said it was a common thing, when a Fleet comes in, to have 2 or 3 Hundred Marriages in a week's time among the Sailors." [Footnote: Keith, Observations on the Act for Preventing Clandestine Marriages, 1753.]
In the "Press-Gang, or Love in Low Life," a play produced at Covent Garden Theatre in 1755, Trueblue is pressed, not in, but out of the arms of his tearful Nancy. The situation is distressingly typical. The sailor's happiness was the gangsman's opportunity, however Nancy might suffer in consequence.
For the average gangsman was as void of sentiment as an Admiralty warrant, pressing you with equal avidity and absence of feeling whether he caught you returning from a festival or a funeral. To this callosity of nature it was due that William Castle, a foreign denizen of Bristol who had the hardihood to incur the marital tie there, was called upon, as related elsewhere, to serve at sea in the very heyday of his honeymoon. Similarly, if four seamen belonging to the Dundee Greenland whaler had not stolen ashore one night at Shields "to see some women," they would probably have gone down to their graves, seawards or landwards, under the pleasing illusion that the ganger was a man of like indulgent passions with themselves. The negation of love, as exemplified in that unsentimental individual, was thus brought home to many a seafaring man, long debarred from the society of the gentler sex, with startling abruptness and force. The pitiful case of the "Maidens Pressed," whose names are enrolled in the pages of Camden Hotten, [Footnote: Hotten, List of Persons of Quality, etc., who Went from England to the American Plantations.] is in no way connected with pressing for naval purposes. Those unfortunates were not victims of the gangsman's notorious hardness of heart, but of their own misdeeds. Like the female disciples of the "diving hand" stated by Lutterell [Footnote: Lutterell, Historical Relation of State Affairs, 12 March 1706.] to have been "sent away to follow the army," they were one and all criminals of the Moll Flanders type who "left their country for their country's good" under compulsion that differed widely, both in form and purpose, from that described in these pages.
To assert, however, that women were never pressed, in the enigmatic sense of their being taken by the gang for the manning of the fleet, would be to do violence to the truth as we find it in naval and other records. As a matter of fact, the direct contrary was the case, and there were in the kingdom few gangs of which, at one time or another in their career, it could not be said, as Southey said of the gang at Bristol, that "they pressed a woman."
The incident alluded to will be familiar to all who know the poet as distinguished from the Bard of Avon. It is found in the second "English Eclogue," under the caption of the "Grandmother's Tale," and has to do with the escapade, long famous in the more humorous annals of Southey's native city, of blear-eyed Moll, a collier's wife, a great, ugly creature whose voice was as gruff as a mastiff's bark, and who wore habitually a man's hat and coat, so that at a few yards' distance you were at a loss to know whether she was man or woman.
"There was a merry story told of her,
How when the press-gang came to take her husband
As they were both in bed, she heard them coming,
Drest John up in her nightcap, and herself
Put on his clothes and went before the captain."
A case of pressing on all-fours with this is said to have once occurred at Portsmouth. A number of sailors, alarmed by the rumoured approach of a gang while they were a-fairing, took it into their heads, so the story goes, to effect a partial exchange of clothing with their sweethearts, in the hope that the hasty shifting of garments would deceive the gang and so protect them from the press. It did. In their parti-garb make-up the women looked more sailorly than the sailors themselves. The gang consequently pressed them, and there were hilarious scenes at the rendezvous when the fair recruits were "regulated" and the ludicrous mistake brought to light.