Lucian the dreamer

by J. S. Fletcher

‘Sell? Why, I don’t think reviews make much difference to the sales of a book,’ answered Lucian. ‘I really don’t know—I suppose the people who bought all my other volumes will buy this.’

But as he ate his chop and drank his coffee he began to wonder what would happen if the new volume did not sell. He knew exactly how many copies of his other volumes had been sold up to the end of the previous half-year: it was no business instinct that made him carry the figures in his mind, but rather the instinct of the general who counts his prisoners, his captured eagles, and his dead enemies after a victory, and of the sportsman who knows that the magnitude of the winnings of a great racehorse is a tribute to the quality of its blood and bone and muscle. He recalled the figures of the last statement of account rendered to him by his publisher, and their comfortable rotundity cheered him. Whatever the critics might say, he had a public, and a public of considerable size. And after all, this was the first time the critics had not burned incense at his shrine—he forgave them with generous readiness, and ere he rose from the breakfast table was as full as ever of confident optimism. He felt as regards those particular reviewers as a man might feel who bids all and sundry to a great feast, and finds that the first-comers are taken aback by the grand proportions of the banquet—he pitied them for their lack of appetite, but he had no doubt of the verdict of the vast majority of later comers.

But if Lucian had heard some of the things that were said of him and his beloved epic in those holes and corners of literary life wherein one may hear much trenchant criticism plainly voiced, he would have felt less cock-sure about it and himself. It was the general opinion amongst a certain class of critics, who exercised a certain influence upon public thought, that there was too much of the workshop in his magnum opus. It was a magnificent block of marble that he had handled, but he had handled it too much, and the result would have been greater if he had not perpetually hovered about it with a hungry chisel and an itching mallet. It was perfect in form and language and proportion, but it wanted life and fire and rude strength.

‘It reminds me,’ said one man, discussing it in a club corner where coffee cups, liqueur glasses, and cigarettes were greatly in evidence, ‘of the statue of Galatea, flawless, immaculate, but neuter,—yes, neuter—as it appeared at the very moment ere Pygmalion’s love breathed into it the very flush, the palpitating, forceful tremor of life.’

This man was young and newly come to town—the others looked at him with shy eyes and tender sympathy, for they knew what it was that he meant to say, and they also knew, being older, how difficult it is to express oneself in words.

‘How very differently one sees things!’ sighed one of them. ‘Damerel’s new poem, now, reminds me of a copy of the Pink ’Un, carefully edited by a committee of old maids for the use of mixed classes in infant schools.’

The young man who used mellifluous words manifested signs of astonishment. He looked at the last speaker with inquiring eyes.

‘You mean——’ he began.

‘Ssh!’ whispered a voice at his elbow, ‘don’t ask him what he means at any time. He means that the thing’s lacking in virility.’

It may have been the man who likened Lucian’s epic to an emasculated and expurgated Pink ’Un to whom was due a subsequent article in the Porthole, wherein, under the heading Lucian the Ladylike, much sympathy was expressed with William the Conqueror at his sad fate in being sung by a nineteenth-century bard. There was much good-humoured satire in that article, but a good many of its points were sharply barbed, and Lucian winced under them. He was beginning to find by that time that his epic was not being greeted with the enthusiasm which he had anticipated for it; the great literary papers, the influential journals of the provinces, and the critics who wrote of it in two or three of the monthly reviews, all concurred that it was very fine as a literary exercise, but each deplored the absence of a certain something which had been very conspicuous indeed in his earlier volumes.