The Rayner-Slade Amalgamation

by J. S. Fletcher

"That's a lie!" he said to himself. "And a woman who will tell a lie as calmly and quietly as that will tell a thousand with equal assurance and cleverness. She—"

There he stopped. In the doorway Miss Slade had also stopped—stopped to speak to another resident, a man, about whom Ambler Appleyard had often wondered as keenly as he was now wondering about Miss Slade herself.

CHAPTER XVI

MR. GERALD RAYNER

There were various reasons why Ambler Appleyard's wonder had often been aroused by the man to whom Miss Slade had stopped to speak. He wondered about him, first of all, because of his personal appearance. That was striking enough to excite wonder in anybody, for he was one of those remarkable men who possess great beauty of countenance allied to unfortunate deformity of body. The face was that of a poet and a dreamer, the body that of a hunchback and a cripple. Painter or sculptor alike would have rejoiced to depict the face on canvas or carve it in marble—its perfect shape, fine tinting, the lines of the features, the beauty of the eyes, the wealth of the dark, clustering hair, were all as near artistic perfection as could be. But all else spoke of deformity—the badly bent back, the twisted body, the short leg, the misshapen foot. It was as if Nature had endeavoured in some wickedly mischievous freak to show how beauty and ugliness can be combined in one creature.

That was one reason for wonder in Appleyard's mind—he had never come across quite this type before, though he knew that hunchbacks and cripples are often gifted with unusual strength, and more than usual good looks, as if in ironic compensation for their other disadvantages. But there were others. Mr. Gerald Rayner—everybody knew everybody else's name in that private hotel, for they were all more or less permanent residents—was something of a mystery man. In spite of his deformity, he was the best-dressed man in the house—they were all smart men there, but none of them came up to him in the way of clothes, linen, and personal adornment, always in the best and most cultured taste. Also it was easy to gather that he was a young man of large means. Although he made full use of the public rooms, and was always in and about them of an evening, from dinner-time to a late hour, he tenanted a private suite of apartments in the hotel—those residents, few in number, who had been privileged to obtain entrance to them spoke with almost awed admiration of their occupant's books, pictures, and objects of art. Mr. Gerald Rayner, it was evident, was a man of culture—that, indeed, was shown by his conversation. And at first Appleyard had set him down as a poet, or an artist, or a writing man of some sort—a dilettante who possessed private means. Then, being a sharp observer of all that went on around his own centre, he began to perceive that he must be mistaken in that—Rayner was obviously a business man, like himself. For every morning, at precisely half-past nine, a smart motor-brougham arrived at the door of the private hotel and carried Rayner off Citywards; every afternoon at exactly half-past five the same conveyance brought him back. Only business men, said Appleyard, are so regular, so punctual; therefore Rayner must be a business man.

But nobody in that hotel knew anything whatever of Rayner, beyond what they saw of him within its walls. Nobody knew whither the motor-brougham carried him, what he did when he reached his destination, nobody knew what or who he was. Appleyard, who was always knocking about the heart of the City, who was for ever in its business streets, who knew all the City clubs, all the best City restaurants, and was familiar with all sorts and shades of life in the City, never saw Rayner in any of his own purlieus. Accordingly, he came to the conclusion that Rayner's business, whatever it was, did not take him to the City. Nevertheless, it was certain, in Appleyard's opinion, that he was in business, and paid scrupulous attention to his daily duties.

Over the edge of his newspaper he watched Rayner and Miss Slade meet, exchange a word or two, and retire to a corner of an inner lounge in which they often sat talking together. He had often seen them talking together, and it had struck him that they seemed to talk with more than ordinary confidence. The hunchback was on terms of easy familiarity with everybody in the house, and he had a remarkable range of topics. He could talk sport, books, finance, politics, art, science, history, theology—the variety of his conversation was astonishing. But Appleyard had begun to notice that he rarely talked to any single person with the exception of Miss Slade—he would join a group in smoking-room or drawing-room and enter gaily into whatever was being discussed, but he seemed to have no desire to hold a tête-a-tête talk with any one except this young woman, who was now as much an object of mystery and speculation to Appleyard as he himself was. They were often seen talking together in quiet corners—and some of the old maids and eligible widows were already saying that Miss Slade was setting her cap at Mr. Rayner's evident deep purse.

Ambler Appleyard went to bed that night wondering greatly about two matters—first, why Miss Slade was Miss Slade in Bayswater and Mrs. Marlow at Fullaway's office; second, if Miss Slade or Mrs. Marlow, whichever she really was, had any secrets with the mysterious Mr. Rayner. From that he got to wondering who Rayner really was, and what his business was. And this process of speculation began again next morning, and continued all the way to the Gresham Street warehouse, and by the time he had arrived there he had half-determined to find out more about Miss Slade than was known to him up to then—and also, since he appeared to be such great friends with Miss Slade, about Mr. Gerald Rayner.

"But how?" he mused as he ran up the steps to the warehouse. "I'm not a private detective, and I don't propose to employ one. If I knew some sharp fellow—"