A New Illustrated Edition of J. S. Rarey's Art of Taming Horses / With the Substance of the Lectures at the Round House, and Additional Chapters on Horsemanship and Hunting, for the Young and Timid

by J. S. Rarey

I have high authority for recommending lessons without holding the bridle. Lady Mildred H——, one of the most accomplished horsewomen of the day, taught her daughter to walk, trot, canter, gallop, and leap, without the steadying assistance of the reins.

A second point is, that every pupil in horsemanship should begin by holding the rein or reins (one is enough to begin with) in both hands, pulling to the right when they want to go to the right, and to the left when they wish to go to the left, that is the proper way of riding every strange horse, every colt, and every hunter, that does not perfectly know his business, for it is the only way in which you have any real command over your horse. But almost all our riding-school rules are military. Soldiers are obliged to carry a sword in one hand, and to rely, to a great extent, on the training of their horses for turning right or left. Ladies and gentlemen have no swords to carry, and neither possess, nor can desire to possess, such machines as troop-horses. Besides other more important advantages which will presently be described by commencing with two-handed riding, a lady is more likely to continue to sit squarely, than when holding the reins with one hand, and pretending to guide a horse who really guides himself. A man has the power of turning a horse, to a certain extent, with his legs and spurs; a woman must depend on her reins, whip, and left leg. As only one rein and the whip can be well held in one hand, double reins, except for hunting, are to a lady merely a perplexing puzzle. The best way for a lady is to knot up the snaffle, and hang it over the pommel, and ride with a light hand on the curb.

In order to give those ladies who may not have instruction at hand an idea of a safe, firm, and elegant seat, I have placed at the head of this chapter a woodcut, which shows how the legs should be placed. The third or hunting-horn pommel must be fitted to the rider, as its situation in the saddle will differ, to some extent, according to the length of the lady’s legs. I hope my plain speaking will not offend American friends.

The first step is to sit well down on the saddle, then pass the right leg over the upstanding pommel, and let it hang straight down,—a little back, if leaping; if the foot pokes out, the lady has no firm hold. The stirrup must then be shortened, so as to bring the bent thigh next to the knee of the left leg firmly against the under side of the hunting-horn pommel. If, when this is done, an imaginary line were drawn from the rider’s backbone, which would go through the centre of the saddle, close to the cantle, she is in her proper place, and leaning rather back than forward, firm and close from the hips downwards, flexible from her hips upwards, with her hands holding the reins apart, a little above the level of her knee, she is in a position at once powerful and graceful. This is a very imperfect description of a very elegant picture. The originals, few and far between, are to be found for nine months of the year daily in Rotten Row. A lady in mounting, should hold the reins in her left hand, and place it on the pommel, the right hand as far over the cantle as she can comfortably reach. If there is no skilful man present to take her foot, make any man kneel down and put out his right knee as a step, and let down the stirrup to be shortened afterwards. Practise on a high chest of drawers!

After all the rules of horsemanship have been perfectly learned, nothing but practice can give the instinct which prepares a rider for the most sudden starts, leaps, and “kickings up behind and before.”

The style of a man’s seat must, to a certain extent, be settled by his height and shape. A man with short round legs and thighs cannot sit down on his horse like tall thin men, such as Jim Mason, or Tom Oliver, but men of the most unlikely shapes, by dint of practice and pluck, go well in the hunting-field, and don’t look ridiculous on the road.

There are certain rules laid down as to the length of a man’s stirrup-leathers, but the only good rule is that they should be short enough to give the rider full confidence in his seat, and full power over a pulling horse. For hunting it is generally well to take them up one hole shorter than on the road.

The military directions for mounting are absurd for civilians; in the first place, there ought to be no right side or wrong side in mounting; in both the street and hunting-field it is often most convenient to mount on what is called the wrong side. In the next place horses trained on the Rarey plan (and very soon all horses will be), will stand without thinking of moving when placed by the rider, so that the military direction to stand before the stirrup becomes unnecessary.

The following is Mr. Rarey’s plan of mounting for men, which is excellent, but is not described in his book, and indeed is difficult to describe at all.

To mount with the girths slack without bearing on the stirrup.—Take up the reins and a lock of the mane, stand behind the withers looking at your horse’s head, put your foot in the stirrup, and while holding the reins in one hand on the neck, place the other open and flat on the other side of the saddle as far down as the edge of the little flap, turn your toe out, so as not to touch the horse’s belly, and rise by leaning on your flat hand, thus pressing hard on the side of the saddle opposite to that on which you are mounting. The pressure of your hands will counterbalance your weight, and you will be able to mount without straining the girths, or even without any girths at all. If you are not tall enough to put your foot fairly in the stirrup, use a horse-block, or, better still, a piece of solid wood about eighteen inches high, that can be moved about anywhere.