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and on this, from The Magic Flute:—
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To view the Lilypond source file, click [here].
Faisst, however, justly observes that though the harmonic basis is the same in both, with Kuhnau the under-part is melody, whereas with Mozart it is the reverse. He also accuses Becker—and justly, as readers may see by turning to the passage in the Zauberflöte—of not having represented the passage quite honestly. Reminiscence hunters need to be very careful.
In these sonatas, as compared with the one in B flat, the thematic material is of greater importance; and so, too, in the slow movements the writing is simpler and more melodious.