[42] Nearly the whole of this composer's works are said to have been destroyed at the bombardment of Dresden in 1760.
[43] The sonata is given in Le Trésor des Pianistes with the ornaments, yet even there more than a dozen have been omitted.
[44] The clavier by its very nature tended towards polyphony; the violin towards monody. And, besides, Kuhnau prided himself on the fugal character of his sonatas.
[45] Even in the later "Bible" Sonatas, figures from these sonatas recur.
[46] Cf. The Fitzwilliam Virginal Book, edited by J.A. Fuller-Maitland and W. Barclay Squire (Breitkopf & Härtel).
[47] Johann Jakob Froberger died in 1667.
[48] Meyer thinks he was probably the son of Ercole Pasquini, born about 1580, and predecessor of Frescobaldi at St. Peter's.
[49] Weitzmann and other writers, in referring to the work published at Amsterdam, spell the name Paglietti; it should, however, be Polietti or Poglietti.
[50] This piece was printed from a manuscript in the British Museum, which bears no such title. Judging, however, from the title of the libro prezioso mentioned on p. 71 [Transcriber's Note: p. [73]], that name may originally have been given to it.
[51] The suite is printed in the Pasquini-Grieco Album by Messrs. Novello.