For wounds unsearcht but rankle more.
For an account of other stanzas of a similar structure (e.g. a a5 b b4 c c3, a a4 b b c3 c5, a5 a3 b b c4 c5, a2 a b b c4 c1, &c.) see Metrik, ii, §459.
Very often we find stanzas of combined crossed and parallel rhymes; one e.g. on the model a b a5 b6 c c5 in Shelley, A Summer-Evening Churchyard (i. 160):
The wind has swept from the wide atmosphere
Each vapour that obscured the sunset’s ray;
And pallid Evening twines its beaming hair
In duskier braids around the languid eyes of day:
Silence and Twilight, unbeloved of men,
Creep hand in hand from yon obscurest glen.
Many stanzas of a similar kind correspond to the schemes a a4 b c2 b4 c3, a4 b3 a b c c4, a3 b5 a b4 c5 c4, a b a5 b c c4, a5 a b c c b4 c5, a4 b ~2 a a4 b ~a4, a5 b3 a b c5 c3, and a b c c a4 b3; for specimens see Metrik, ii, §§ 460–3.