And now without further prologue I raise the curtain.
The first scene is a railway carriage swiftly travelling farther and farther from the sea that washes the dear shores of France. Look out of the window and behold the green fields, the heavy hedge-rows enclosing them so tightly, the trees, not in woods, but scattered everywhere as by a restless forester, the brick farms, the hop-fields, the moist, vaporous atmosphere of England.
Cast your eyes within and you will see, wrapped in an ulster of a British pattern concealing all that is not British in his appearance, an exile from his native land. Not to make a mystery of this individual, you will see, indeed, myself. And I—why did I travel thus enshrouded, why did my eye look with melancholy upon this fertile landscape, why did I sit sad and sombre as I travelled through this strange land? There were many things fresh and novel to stir the mind of an adventurer. The name, the platform, the look of every station we sped past, was a little piece of England, curious in its way. Many memories of the people and the places I had known in fiction should surely have been aroused and lit my heart with some enthusiasm. What reason, then, for sadness?
I shall tell you, since the affair is now no secret, and as it hereafter touches my narrative. I was a Royalist, an adherent of the rightful king of France.
I am still; I boast it openly. But at that time a demonstration had been premature, a government was alarmed, and I had fled.
Hereafter I shall tell you more of the secret and formidable society of which I was then a young, enthusiastic member—the Une, Deux, Trois League, or U. D. T's, as we styled ourselves in brief, the forlorn hope of royalty in France. At present it is sufficient to say that we had failed.
Baffled hopes, doubt as to the future, fear for the present, were my companions; and they are not gay, these friends.