Our ride to Raglan traversed a bold undulating country of uncommon richness, where the luxuriance of the soil was alike conspicuous in impervious woods or teeming orchards sweeping over the hills, and verdant meadows sweetly carpeting the vallies.
“When morn, her rosy steps in th’ eastern clime
Advancing, sow’d the earth with orient pearl,”
we began our journey; and this range of fertility but disclosed itself in partial gleams through the exhaling dew, as we ascended a hill from Usk. Advancing, the mists disappeared, and we quickly found ourselves in a sequestered valley, whose high encircling hills were variously decorated with a profusion of wood: the morning sun brilliantly shone on the dewy verdure; and we were admiring the charming scenery, while our spirits partook of its cheerfulness, when a huntsman’s horn resounded from a neighbouring thicket, and echoed through the hills: a deep-mouthed pack, joining in full chorus, announced a throwing-off. The concert continued, though the performers remained unseen as we anxiously skirted the dale; but our road soon took an ascent, in the precise direction of the hunt; and, gaining an eminence, a new vale and its accompanyments opened to us, yet without the hunting party. However, we had not long gazed in disappointment when, from the dark umbrage of a thick wood, the hounds rushed forward like a wave over the meadows; the men and horses were not far behind; but, scouring a descent that would have scared a lowland sportsman, pursued the game, which continued out of sight. But at length we saw Reynard skulk from a ditchy fence in a field before us, and dash across the meadows: the hounds and hunters were close at his heels. A loud shout from the party, a superior yell in the dogs, and the strained exertions of the animal, proclaimed a general view: we heartily joined in the halloo; and even our sorry jades displayed unusual spirit; for they pricked up their ears, and absolutely began a gallop to join in the chase; but a gate near a yard high opposed an insurmountable obstacle to that intention, and obliged us to remain inactive spectators while the party veered up a woody hill and finally disappeared from us.
Reluctantly parting from this animating scene, we entered the little village of Raglan; where an old woman, knitting at the door of her cottage, proffered her service to take care of our horses while we walked over a fallow field to the superb ruins of Raglan Castle.
The approach led up a gentle eminence; but a screen of high elms and thick underwood, issuing from the moat, intervened between us and the castle, which remained concealed, until, penetrating the thicket, a display of the ruin burst upon us, elegantly beautiful! Sweetly picturesque! No theatrical scene was ever designed in a happier taste, or unfolded itself to admiring beholders with a more sudden and impressive effect. In this coup d’œil, the Gothic portal and two elegant embattled towers immediately arrested the eye. Of the polygonal towers that formerly defended the entrance, one is completely hidden in a majestic mantle of ivy, which descends in a profuse festoon over the gateway. The other, admirably contrasting, and in a most perfect state of preservation, rears its beautiful machicolated summit with scarcely any leafy incumbrance: yet a few tasteful tufts of ivy sparingly issue from the windows and oillets of the tower, and wave their elegant tendrils over the glistening polish of the walls. [214] Another tower of similar beauty, but superior dimensions, appears a little further, at the eastern angle of the structure. On the other side of the porch, the ruins are concealed by a profuse pile of ivy; but some lofty portions of the ruin start from the verdure with considerable elegance; and two windows, standing one over the other, exhibit an effect of ornamental relief in their freizes and mouldings that would not discredit any age.
From this assemblage of beautiful objects we fixed our attention on the massive citadel, placed rather obliquely in front of the ornamented ruins. One half of this structure was blown up by order of Cromwell, upon the taking of the castle by Fairfax: from the remaining section it appears to have been a hexagonal building of five stories, whose sides were flanked by semicircular bastions covering each angle. The citadel is surrounded by a moat and terrace, with a wall, in which appear niches, once adorned with statues of the Roman emperors. The rough and threatening aspect of these broken walls, and the ponderous bulk of disjointed fragments, falling in the same point of view with the gentle and decorative parts just described, strongly contrast each other, and heighten the varied character of the picture.
This charming morçeau was illumined by a morning sun, which shone direct on the marble-like surface of the towers, bringing forward all their elegance of form and enrichment with decisive superiority. The secondary objects of the ruin, overhung with ivy, and denied the direct light of the sun, retired in a low tint; but at the left extremity of the picture, the craggy and advancing citadel caught some of the strongest lights and shades, forming an admirable bit of foreground to the piece. Although I am of opinion, that by a morning light this subject is seen by far to the greatest advantage, yet treated with an afternoon effect, by the judicious pencil of Sir Richard Hoare, it has formed a charming picture. This View the engraver has ably transmitted to the publick in Mr. Coxe’s Survey of Monmouthshire.
Delighted with this first view, we traversed the porch defended by two portcullisses, and entered the principal court of the castle. The interior wore the same style of magnificence that we so much admired without. In superior grandeur projected the great window of the hall, majestically canopied with ivy; a variegated verdure covered the once-paved area, and climbed the lofty sides of the ruin. In some places the fondling ivy ran through the forsaken chambers, and embowered the apertures of the windows; while in many shadowy recesses, where the early sun had not penetrated, the dewy spangles of morning still decorated the dwarfy ash, or tremulously bedecked the waving thistle. So admirably were the different parts disposed, so picturesquely relieved, that the whole seemed rather a fairy creation, than the fortuitous combination of undirected nature.
After enjoying these general effects, we proceeded to examine the apartments of the castle. These do not in any part seem of very remote erection, but appear to have been constructed at different periods between the ages of Henry the Fifth and Elizabeth; yet, though a disunion of style be visible to the Antiquary, no discordance of effect arises in any instance. Of the first court, the principal entrance, and a range of once elegant rooms, occupy the south side; the baronial hall, and some other noble apartments, fill up the western part of the court; the culinary and other domestic offices, with the servants habitations, appear to have occupied the north and east sides: at the angle of their junction, a pentagonal tower contained the kitchen, and a small projection on the past side was the oven. A broken flight of steps afforded us the means of ascent to the superior apartments, where we admired the works of our fore-fathers in some lightly-ornamented chimney-pieces and Gothic mouldings. The baronial hall has suffered less from time than from the pilfering attempts of the neighbourhood: some traces of its former grandeur may be seen in its stately dimensions; a prodigious fire-place; and a few remnants of ornament, including the stone-sculptured arms of the Marquis of Worcester, at one end of the hall: this place, once the scene of banqueting and splendour, is now used as a fives-court. Here a fresh instance might be collected of the fleeting state of sublunary greatness; but so many have been brought forward by the great geniusses of all ages, while every little one feels the truth without benefiting by the knowledge, that we will not stop to enlarge on so hopeless a subject; but proceed, where barons bold have often trod, through the western portal of the hall to the chapel. Few vestiges remain of this structure; but some of its springing arches, rising from grotesque heads, are imperfectly visible; and two whole-length figures, coarsely executed, appear through the thick-woven ivy. From this place we entered the area of the second court, once adorned with a marble fountain and an equestrian statue; but now planted with fruit-trees: this court is surrounded by a range of secondary yet capital apartments.