Whether he uttered the exact truth or not Croft did not then know, but as he gazed from the coach between the curtains of fluttering purple he was inclined to agree.
They had come to a place outside the walls—those monster walls Croft had seen hours ago, shining a dull deep red in the morning sun. Now close by, they towered above him in their mighty mass—still red—a deep, ruddy red with an odd effect of a glaze on the surface of what he could now perceive was some sort of artificial building block laid in cement. So far as he could judge, the wall rose a good hundred feet above the road and stretched away on either side, strengthened and guarded every so far by a jutting tower as far as his eye could reach.
Where they now stood the road came down to the bank of the river on a wide-built approach made of stone masonry laid in cement, protected on the shoreline by a wall or rail, fully six feet wide across its top, which was provided every so far with huge stone urns, blackened about their upper edges as though from fire. Croft recognized their purpose as that of flaming beacons to light the wide stone esplanade before the gate at night.
Beyond the wall was the river—a vast yellow flood, moving slowly along. It was at least a half-mile wide where it met the wall. And the wall crossed it on a series of arches, leaving free way for the boats Croft now saw upon the yellow water, equipped with sails and masts, making slow advance against the current, or driven perhaps by their crews at long sweeplike oars. He noted that each arch was guarded by what seemed gates of metal lattice, and that drawn up above each was a huge metal door which could be let down in case of need to present an unbroken outward front above the surface of the flood.
It was a wonderful sight, river, wall, and wide-paved approach as the gnuppas drew the carriage swiftly toward the gates. Then it all vanished. Croft caught sight of two men dressed something like ancient Roman soldiers, huge, powerful fellows, with metal cuirass, spear and shield, barelegged half up their thighs where a short skirt extended, their shins covered by metal greaves, their heads inside metal casques from the top of which sprouted a tuft of wine-red plumes.
They stood beside the leaves of two huge doors, fashioned from copper, as it seemed to Croft, things solidly molded, carved, graved, and embossed in an intricate design. These doors were open and the carriage darted through, entering a shadowy tunnel in the wall itself.
It was high, wide, and deep, the latter dimension giving the actual width of the wall itself. Croft judged it to be nearly as wide as tall. Then it was passed, and he found himself gazing upon such a scene as had never met mortal eyes perhaps since the days of Babylon.
The great river flowed straight before him for a distance so great that the farther wall was lost in a shimmering haze of heat. It flowed between solid walls of stone, cut and fitted to perfect jointure. From the lowest quay the banks sloped back in gentle terraces, green with grass and studded with trees and blooming masses of flowers and shrubs.
Huge stairways and gradually sloping roadways ran from terrace to terrace, down the river's course. And back of the terraced banks there stretched off and away the splendid piles of house after house, huge, massive, each a palace in itself, until beyond them, seemingly halfway down the wonderful river gardens, there loomed a structure greater, vaster, more wide flung than any of the rest. In the light of the risen sun it shone an almost blinding white. To Croft at that distance it appeared built of an absolutely spotless stone.