We drove out one day to a farm to witness its manufacture. We soon came to fields covered with the plant, which grows to a height of about four feet. In appearance it is a slender-knotted grey stem, with branches at the top from which spring red stalks of broad digitated leaves. The root, which is cylindrical and about a foot long, is a deadly poison in its natural state, but by a simple process it is converted into nutritious food. As we approached the wattled shed in which it was being prepared, we heard sounds of a veritable pandemonium. On looking in, we saw thirty or forty jet black Africans stripped to the skin and furiously grating the white roots against a rough board, the meal falling into great tubs.

The exertion was apparently immense, as they steamed with perspiration, and, as if the fumes of the poison got into their heads, they would every now and then utter yells or bound into the air. To this wild scene there was a musical accompaniment. The instruments consisted of tom-toms, pipes, chac-chacs, and long bamboos, struck by pieces of wood, and a strange concern made of cane-work, from which issued a grating sound by drawing a stick quickly up and down. Music from such sources was not likely to be of a high order, but it was conscientiously gone through at all events. All that lungs could blow was blown; all that fists could do to break a drum skin was done. White, eyes rolled, black lips blew, and black fists struck. The “grater” sounded worse than the grating, and the monotonous chant of one of the performers was more horrible than the howls of the workers. Never had I heard a like “charivari.” “Ils ont de la couleur,” said the pleased proprietor, as he rubbed his hand and glanced at the rapidly filling tubs. The next operation is to get rid of the poisonous juices. Here, as the factory was on a large scale, the meal was put into a great sort of oven and the poison extracted by heat or pressure. But the usual mode, and the one invariably applied by the Indians of Guiana, where in after-days I many a time witnessed the operation, is as follows: A long plaited tube—matapi—made of a certain reed is filled with the grated meal; its upper end is fastened to a beam so that its lower end, which possesses a loop-hole, hangs a few feet from the ground. A pole is then passed through the loop and the shorter end firmly fixed so that the longer, when pressed down, serves as a lever; the elastic tube presses the meal together, and the poisonous juice escapes through the interstices. The flour is then dried and sifted. When required for use, a handful is baked over a fire on a flat plate, and in a few minutes “cassava bread,” resembling an enormous oatmeal cake, is ready. If required for a journey, it is thoroughly dried in the sun until it is as hard as a nail, and will then last for months; if not properly dried, it quickly gets mouldy and uneatable. Cassiripe, which is the extracted poison-juice of cassava, is the foundation of the well-known “pepper pot,” which is an “olla podrida” of meat and peppers cooked in an earthen pot, and always on hand in the West Indies. Fortunately, the deleterious principle of the juice is so volatile that it is entirely dissipated by heat, and it then becomes a wholesome seasoning; and thus the good is extracted from the evil in this strange blending of life and death, as exhibited in the cassava root.

That evening, before we reached home, we witnessed a scene of excitement. As we drove along the sea-shore there was a sudden rush of people to the beach, boats were pushed hurriedly out, men jumped into the water and swam out, women waded up to their knees and ran back again, and children did their best to get drowned. Presently, a series of long nets formed a semi-circle and enclosed a large shoal of sardines which had been the cause of the uproar. Gradually the nets were drawn in, and so large was the haul that in a few minutes five boats were filled with the little silvery fish. Buckets, barrels, baskets, and cans were then put into requisition, and, even after every article from the neighbouring cottages that could hold a fish had done its duty, there were still sardines enough left on the beach to have stocked a market.

Next morning I started for a ride across the island to Trinité, a distance of about thirty miles. The scenery on the road had been so extolled that I attributed enthusiastic descriptions of it to patriotism, and was prepared for a disappointment. When I returned, I acknowledged it was the most beautiful ride I had ever taken, and one whose like I should probably never see again.

It was dawn when my mule drew up at the hotel door, and we were soon clattering over the rough cobble stones which pave the narrow streets. We passed the Promenade, which was deserted by all save a solitary sentry, who slept in his box under the Palace of the Archbishop, and then the road commenced to wind up the hill under whose shadow the town lay, dark and quiet. Before we reached the top it was broad daylight, the great crimson blossoms of the hybiscus and the fragile bells of the abutilon, which we had left sleeping below, were now unfolded, and the white flowers of the night cereus and of the ipomæa, had already drooped and faded. For some distance beyond the summit the road is walled in with sugar-cane, then bends inwards towards the mountains by a gentle acclivity. Here and there, one passes a little cabaret de ferme, where the market people are drinking coffee, or, more probably, rum.

Down in the valley lie cottages and farms, and the hill-sides are flecked with groups of trees, whose light and dark green foliage is very conspicuous. Fine mango trees are dotted about here and there, and fringing rocky heights, or clustered in hollows, are aloes in various stages of their growth; some fully flowered and rapidly collapsing, others whose tall stalks are covered with fresh blooms, and more still whose rich green expanding heart is suggestive of a thyrsus—“thro’ the blooms of a garland the point of a spear.”

On approaching a small and picturesque village, cane culture is superseded by cassava, and the country becomes more rugged and grander. Cottages are perched upon jutting cliffs, and immediately above the road is situated a delightfully quaint old church, which is reached by a flight of rough stone steps. Near this, a large wooden cross overlooks the valley. The view looking west is lovely. Afar off is the bright blue sea, to which extend the mountain arms and the undulating hill spurs. The valleys between are partly tilled and partly bush-covered, and the few houses stand in garden patches high up on the hill slopes. Through the central valley a twisting thread of green, darker than the surrounding foliage, marks the course of a stream, and clumps of trees of a similar contrasting hue, above and around us, show where orange groves and mangoes lie amid the paler green of cane fields and bananas. Behind rise the forest-clad peaks of the mountains, through which runs the road to Trinité.

Up to this point we had enjoyed a very beautiful morning. Here spring was in the air, and we had left hot summer below. There was such fulness of life in the cool air that all nature seemed affected by it. The flowers looked brighter, the birds sang sweeter, and even the running water seemed to tinkle with a more silvery sound than in the valleys.

A simple circumstance, but one that impressed me very vividly, occurred as I was looking over the blue shadowed valley. An old peasant woman, very brown and wrinkled, laid a bunch of flowers on the cross, and as she knelt at its foot an oriole flew on to one of its arms and poured forth such a trill that it seemed as if the bird-voice was carrying aloft her mumbled prayers. When she entered the church a few minutes later, tears were in her eyes, but she looked so happy that I am sure the bird had not sung in vain. The romance of the little episode was injured by an unsentimental goat who completely demolished the flower-offering, and then tried to butt some children who had done nothing to offend it. They, however, did not seem to mind it, and laughed merrily at the antics of the creature. These children’s voices were just what was wanted to give a charming finish to the bright picture. What the flowers were to the garden, the stream to the valley, the birds to the air, and the sun’s rays to all, were the happy child-tones to the surrounding scene, gladdening everything in accord with each, and freshening with rippling music the fragrant uplands: