Bert Wilson's Fadeaway Ball

by J. W. Duffield

But to himself he said: “By George, what a ‘whip’ that fellow’s got. That ball didn’t rise three inches on the way to first. And it went into Drake knee high. That youngster will certainly bear watching.”

And watch him he did with the eye of a hawk, not only that afternoon, but for several weeks thereafter until the hope became a certainty that he had found a worthy successor to the redoubtable Barry, and his infield would be as much of a “stonewall” that season as the year before. With Hodge in right, Flynn in center and Drake in left, his outfield left nothing to be desired, either from a fielding or batting point of view, and he could now devote himself entirely to the development of his batteries.

Under his masterly coaching, Bert advanced with great rapidity. He had never imagined that there was so much in the game. He learned from this past-master in the art how to keep the batter “hugging first”; the surest way of handling bunts; the quick return of the ball for the third strike before the unsuspecting batter can get “set,” and a dozen other features of “inside stuff” that in a close game might easily turn the scale. Ainslee himself often toed the plate and told Bert to send in the best he had. His arm had attained its full strength, under systematic training, and he was allowed to use his curves, his drop, his rise ball and the swift, straight one that, as Flynn once said, “looked as big as a balloon when it left his hand, but the size of a pea when it crossed the plate.”

One afternoon, when Ainslee had taken a hand in the batting practice, Bert fed him an outcurve, and the coach smashed it to the back fence. A straight high one that followed it met with no better fate. It was evident that Ainslee had his “batting eye” with him that afternoon, and could not be easily fooled.

“Send in the next,” he taunted, good-naturedly, “I don’t think you can outguess me to-day.”

A little nettled at his discomfiture, Bert wound up slowly. For some time past he had been quietly trying out a new delivery that he had stumbled upon almost by accident. He called it his “freak” ball. He had thrown it one day to Dick, when, after the regular practice, they were lazily tossing the ball to and fro. It had come in way below where Dick’s hands were waiting for it, and the latter was startled. It was a “lulu,” he said emphatically. It could not be classed with any of the regulation curves. Bert had kept it under cover until he could get perfect control of it. Now he had got it to the point where he could put it just where he wanted it, and as he looked at the smiling face of the coach he resolved to “uncork” it.

He took a long swing and let it go. It came to the plate like a bullet, hesitated, slowed, then dropped down and in, a foot below the wild lunge that the coach made for it. His eyes bulged, and he almost dropped the bat.

“What was that?” he asked. “How did you do it? Put over another one.”

A second one proved just as puzzling, and the coach, throwing his bat aside, came down to the pitcher’s box. He was clearly excited.

“Now, what was it?” he asked; “it wasn’t an incurve, a drop, or a straight, but a sort of combination of them all. It was a new one on me. How do you hold your hand when you throw it?”