M. Feverel began with the usual questions as to name, age, place of birth, etc., which are to examiner and examined a mutual test of strength, as two pugilists dance around each other for the first round of a fight without striking a blow. To the surprise of both men the woman maintained an absolute and indifferent silence. There was nothing about her suggestive of sullen stubbornness. She looked over M. Feverel's head through an open window with an expression which indicated that she had not even heard the questions. M. Valmorin studied her face closely. Through the ravages of vice and the mask of despair his experienced eyes could see the wreck of a departed beauty and refinement of features that must have been once remarkable. M. Feverel, though less experienced, perceived also that there was apparently some deep and tragic purpose back of the silence that he had at first attributed to the sullen brutishness of her class. But how to break it down?

"Madame," he said, courteously, dropping his brusque professional manner, "you must see that your present course cannot but be prejudicial to your case. The authorities will have no difficulty in ultimately establishing your identity but you can readily save us much inconvenience by replying to these simple questions——Is your name Laroque? Was this man your husband?"

The woman gave no sign that she had heard. M. Feverel bit his lip. He had purposely used the most polished French and he was sure that she understood him. But he was apparently no nearer to making her speak.

"What did you mean by saying that you killed this man to prevent him from bringing grief and shame on someone you love?" he demanded suddenly.

The lips moved almost imperceptibly, and for a fraction of a second the eyes wavered and met the magistrate's sharp gaze. But she did not make a sound and the next moment her face was as impassive as before.

M. Valmorin, narrowly watching her, waited for the magistrate's next move. The latter had, at command, a voice as soft and persuasive as a woman's and many an evildoer had felt its spell and had been lured to confession.

"Do not think, madame," he began, his tone at once, respectful, inclusive and inviting, "that I would try to draw you into saying anything that can injure your cause! Do not consider me an enemy. I know that you shot this man Laroque in the Hotel of the Three Crowns and I am more than willing to believe that you had some good reason for this terrible act. Your words to the policeman who arrested you are an indication of that. It is not my duty to try to convict you of crime which was probably justifiable. The man that you killed was an ex-convict and society is well-rid of him. You have probably simply saved the State the expense of putting him in prison once more and keeping him there. I am more than willing to believe that your reasons for killing him were excusable, even in the eyes of the law.

"Look upon me as a friend!" he continued persuasively. "In my office there is no criminal, no judge. You are simply accused of a homicide which you undoubtedly committed. But the law holds that many forms of homicide are justifiable. Convince me that you had even a fairly good reason for shooting this man—and I won't be hard to convince—and it is likely that you may never even come to trial—that your story may be buried with the few who must know it. My stenographer and my friend, the prosecutor, will leave us here together and you can explain everything to me and to me, alone."

Valmorin rose with a bow and passed slowly out followed by M. Feverel's stenographer. Jacqueline's eyes met his as the door closed and he began to speak again.

"Now we are alone!" and the tone was even more inviting and confidential. "You can talk to me now without fear. I do not care to pry into the secrets of your past. You need not mention any names. But just to tell me as simply as you can the reason you killed this prison rat!"