indefinable feeling which ever strikes us on our entry into a spacious and beautiful edifice. That the building is a fragment of what must have been a structure of extreme beauty becomes evident. Columns of such dimensions and arches of such design were never intended for purpose so slight as the support of the present roof; windows of such size and elegance were made for shedding light upon a much more spacious interior than we now find.
But when account is taken of all the stately arches and columns, and the beautifully cut ornament thereon, now embodied in the brick rubble and plaster which we owe to Georgian and Early Victorian dulness and parsimony, no more of the old Priory survives for our refreshment than the south aisle of the choir. The stones of the structure that were hewn and raised by some "Master Henry" or "Master Hubert the Mason," the timbers that some "Master John the Carpenter" industriously wrought, even the marble and alabaster which crowned the work have long been torn away. They are come upon now, in fragments in the walls and floors and roofs of cottages and barns which adjoin the church.
SCENE AT THE MODERN CEREMONY.
SCENE AT THE MODERN CEREMONY.—The Trial Proceeding. Judge in the Middle. Tow pairs of claimants on either side. Counsel for the claimants speaking; counsel for the Bacon seated. Jury of maidens and bachelors on extreme right. Highly entertained public in front at 1s. a head.