The Christians affirm the whole of their guilt or error to be that they were accustomed to meet together on a stated day, before it was light, and to sing hymns to Christ as a god, and to bind themselves by a sacrimentum, not for any wicked purpose, but never to commit fraud, theft, or adultery; never to break their word or to refuse, when called upon, to deliver up any trust; after which it was their custom to separate, and to assemble again to take a meal, but a general one, and without guilty purpose. (Epistle X, 97.)
PRAYERS
Simplicity characterized everything in the primitive worship. Consequently the prayers of the first Christians were of the most simple and artless character. They regarded prayer as a quickening spirit, drawing forth the inward inspirations of the soul after God, and accompanied every important act of their public and private life with this holy privilege, and Paul exhorts his readers to “pray without ceasing.” On this subject Lyman Coleman says:
The prayers of the Church were offered in language the most artless and natural. Even the most learned of the apologists and early fathers, such as Justin Martyr, Theophilus of Antioch, Clement of Alexandria, Origen, Tertullian, Cyprian, Arnobius, and Lactantius, who were no strangers to the graces of diction, refused all ornamental embellishments in their addresses to the throne of grace, alleging that the kingdom of heaven consists not in words, but in power. Their prayers were accordingly offered in the greatest simplicity, and as far as possible in the phraseology of Scripture. This artlessness and elegant simplicity appears in striking contrast with the ostentation and bombast of a later date. This contrast appears equally great also in the brevity of these prayers. It was a maxim of the primitive Church that many words should never be employed to express what might be better said in a few. (Ibid, page 316.)
SINGING
Their singing was a real heartfelt service. The Holy Spirit said: “And be not drunken with wine, wherein is riot, but be filled with the Spirit; speaking to one another in psalms and hymns and spiritual songs, singing and making melody with your hearts to the Lord” (Eph. 5:18, 19). And again, “Let the word of Christ dwell in you richly; in all wisdom teaching and admonishing one another with psalms and hymns and spiritual songs, singing with grace in your hearts unto God” (Col. 3:16). In this delightful service the whole congregation doubtless took part. It has been contended, recently, that the singing of the first churches was not congregational, and therefore our congregational singing is as unscriptural and unauthorized as any musical performance in the worship. The testimony of history is against this statement. On this subject Philip Schaff says:
The song, a form of prayer, in the festive dress of pietry and the elevated language of inspiration, raising the congregation to the highest pitch of devotion, and giving it a part in the heavenly harmonies of the saints. This passed immediately, with psalms of the Old Testament, those inexhaustible treasures of spiritual experience, edification and comfort, from the temple and the synagogue into the Christian Church. The Lord himself inaugurated psalmody into the new covenant at the institution of the holy Supper, and Paul expressly enjoined the singing of “psalms and hymns and spiritual songs” as a means of social edification. (History of the Christian Church, Vol. I, page 463.)
To the same effect testifies Lyman Coleman:
The prevailing mode of singing during the first three centuries was congregational. The whole congregation united their voices in the sacred song of praise, in strains suited to their ability. Their music, if such it could be called, was, of necessity, crude and simple. Indeed, it appears to have been a kind of recitative or chant. The charm of their sacred music was not in the harmony of sweet sounds, but in the melody of the heart.... But, however this may be, the most ancient and most common mode of singing was confessedly for the whole assembly; men, women and children blend their voices in their songs of praise in the great congregation. Such is the testimony of Hillary, of Augustin and Chrysostom. “Formerly all came together and united in their song, as is still our custom.” “Men and women, the aged and the young, were distinguished only by their skill in singing, for the spirit which led the voice of each one blended all in one harmonious melody.” (Ancient Christianity Exemplified, pages 329, 330.)