This, of course, is an extreme instance. But cases of "badger" workers are everyday occurrences; a white man is no sooner in an embarrassing position but in comes a Negro who claims to be the woman's "husband," and—usually with a weapon, but sometimes only on a threat of arrest—cleans the victim of all he has with him. There are also "panel" houses. These work by having the woman help the man take his clothing off and place it in a certain position, probably over a convenient chair. While he is concentrated on thoughts other than his watch and money, a panel slides open, a dark hand comes through and takes everything out of the pockets.
When a man has finished with such an amour, he generally feels a bit of revulsion and is eager to get out. Therefore he usually does not realize that he has been frisked and by the time he does, he is reluctant to return and is probably afraid, realizing that he has been in a thieves' den. Should he ask a policeman to go with him, he would have to explain how and why he was there in the first place. Should he return alone, he would probably get no answer at the bell, or if he did it would be with a beer bottle or a knife.
The same effect is often attained without a confederate. The woman goes through the man's clothes while he is in no frame of mind to keep his hands on his pockets. This is subtly known in Harlem as "cold finger work."
The cost of living has gone up here as it has everywhere. The price of a woman, 20 years ago, in Harlem was from 25 cents up. Today a good-looking one, especially if she is not leading a man to be skinned, has no compunction about asking $20.
Surely, the most ardent protagonist of Harlem will not challenge its predilection towards sexual and other vices.
Practically every novel and factual exposé by Negro writers and by white writers who glorify Negroes is replete with accounts of illicit relations between white men and dark girls. The Negro newspapers harp on it constantly. And if more proof is needed, contemplate the fact that the largest dance hall in Harlem was closed by the License Commissioner because it was overrun with 12-year-old Negro prostitutes; and one of the larger theatres in Harlem was closed by the License Commissioner because of indescribable orgies in the balcony during theatrical performances.
The result of these disclosures and the hundreds of muggings has been to drive the New York white element, except for an occasional and misguided drunken sailor, out of the area.
Mugging has nothing to do with sex. It is a white invention, in old Chicago days called "strongarming." The technique is for a man or woman—it is operated by both—to come up behind a man or a woman and throw an arm around the front of the throat, closing it sharply, with the elbow out. This gives an immediate condition of semi-helplessness and the defense against it is difficult because both hands are not as strong as one arm. At the same time, the mugger shoves a knee into the small of the back of the victim, further devitalizing him or her and throwing off any balance which might permit of a struggle. By this time one or more co-workers are going through the handbag or the pockets.
Often those selected by such criminals are persons who have been seen in saloons or elsewhere with valuables or sums of money worth the effort. In not a few cases, where victims have put up a struggle, they were stabbed or choked to death.
The comparatively high-class Negro cafés with entertainment which flourished during Prohibition were put out of business by a number of concurrent consequences.