Our reward is meted out according to our obedience to all of the law, spiritual and physical. Nature keeps a ledger paying glad life's arrears each minute of time. And the creed rises to my lips when I hear you cry shame upon the delight of love. It must be good, this thing which is so fraught with joy! You brand it sense delight, but all delight is of the senses, and Darwin at the conclusion of "The Descent of Man," if he was not overtaken by a feeling of incompleteness in the work and a consuming fever for the further task, was glad in a human way, with the senses and through the emotions. Darwin's supreme moment may have come at quite a different time. What can we know of the moments of repletion that fall into another's life? With Huxley we may only know that our hearts bound high when we strike a chord of harmony and prove ourselves obedient to "all of the law," and our hearts bound high when we love. It is nature's way of showing her approval. Oh, the strength of love and the miracles of its compensations! The sense of becoming that it gives, even in its defeats, the gladness that ripples in its sob-strangled throat!
The day for asceticism is gone, or shall we say the night? We are not afraid of sense delights. We are intent upon living on all sides of our natures, roundly and naturally. You have a fine gospel of work and I congratulate you upon it, but you make no mention of the purpose of it all. It must not be work for work's sake. "When I heard the learned astronomer—" says Whitman. Do you remember? He caught in one hour the whole majesty, caught to himself the wonder that was unseen by the watching astronomers. Somehow you feel the learned ones had made a mistake in calculating so long that they had no time to see with personal eyes the glory of the stars, and that Whitman had been philosopher and had gained where they failed. The inspiration of the poet, of the painter, of the economist, and biologist, is in the revelation which they receive of what to do and why to do. For this reason philosophy, which treats of the life and works of man, is in the highest sense sociological. The generalisations of philosophy go to improve our methods so that we may have greater proneness for sense of delight and greater possibility for sense delight. Why, what else is there? You are a poet, and you give an unrestorable day, when the sun is shining and the hills lie purple in the distance, to writing a sonnet. If you do so merely to employ yourself, it must be that the wolf of despair is at your being's door. You have come to the end, and the sun and the hills do not matter. You and they have parted company. But if you write, impelled by the wish that others should read and recognise, read and remember, and grow to know and feel better, and perhaps to love the sun and hills better, then is yours a work of love, and it will be made good to you, so that for the day which you have not seen, your night shall be instinct with light. And if your labours are more especially in the service of art, then, also, with each approach toward expression, you are warmed through with the delight of achievement.
Is my meaning quite dashed away by this torrent of speech? It is simply this: Before we think we feel, and the end of thinking is feeling. The century of Voltaire and Dr. Johnson held that man is rational, the century of James, Ribot, Lange, and Wundt is thrilled to the heart with the doctrine that first, last, and always man is emotional. To speak loosely, the dimensions of the human cosmos are feeling, emotion, and sensation.
Build your fine structures. We like to see the foundations laid well and the thick walls go up. Keep to your wizard inventions. We like to live in a magic world. And ah, the indomitable machines with their austere promise of free days for weary hands, and ah, the locomotives and the ships steaming their ways toward intercourse, toward comity, toward fellowship! We like the intricacy and the vastness of the world in which we live. But "an unconsidered life is not fit to be lived by any man," says Aristotle. We must consider the phenomenon, civilisation, searching down for the nucleus of its worth. We will find that the stone structure without hope were a pitiable thing, that the making of compacts and the banking of capital, without hope, were pitiable. This hope that is the life germane, the immortal flash of mortality, the most keenly human point in all humanity, is the hope for greater and greater social happiness. Our world is an ever unfinished house which we are employed in building. If we are imbued with the spirit of the architect and not of the hod-carrier, we will hope sweetly for the work. The house beautiful will begin to mean our life, and each night we will consult our drawings, looking to it that on the house built of our days the sun shall wester, and that within shall be intimacy, and laughter, great speech and close love, looking to it that the home be such as to better to-day's tenant so that he be more loving and lovable than the one of yesterday.
We are wrong, perhaps. Long ago we were no less than now. When we reached a hand in the darkness and grasped that of our fellow, the love and the strongly frail human abandon were no less. We have not grown in heart's munificence, perhaps. It is one of the illusions only. But the hope is ours. For what do you hope?
Dane.