"And no house on the ranch?"
"Cert! With sweet peas growin' up the sides, and in back a patch for vegetables—string-beans and spinach and radishes, cucumbers and 'sparagrass, turnips, carrots, cabbage, and such. And a woman inside to draw me back when I get to runnin' loco after the pockets. Say, you know all about minin'. Did you ever go snoozin' round after pockets? No? Then just steer clear. They're worse than whiskey, horses, or cards. Women, when they come afterwards, ain't in it. Whenever you get a hankerin' after pockets, go right off and get married. It's the only thing'll save you; and even then, mebbe, it won't. I ought 'a' done it years ago. I might 'a' made something of myself if I had. Jerusalem! the jobs I've jumped and the good things chucked in my time, just because of pockets! Say, Corliss, you want to get married, you do, and right off. I'm tellin' you straight. Take warnin' from me and don't stay single any longer than God'll let you, sure!"
Corliss laughed.
"Sure, I mean it. I'm older'n you, and know what I'm talkin'. Now there's a bit of a thing down in Dawson I'd like to see you get your hands on. You was made for each other, both of you."
Corliss was past the stage when he would have treated Bishop's meddling as an impertinence. The trail, which turns men into the same blankets and makes them brothers, was the great leveller of distinctions, as he had come to learn. So he flopped a flapjack and held his tongue.
"Why don't you waltz in and win?" Del demanded, insistently. "Don't you cotton to her? I know you do, or you wouldn't come back to cabin, after bein' with her, a-walkin'-like on air. Better waltz in while you got a chance. Why, there was Emmy, a tidy bit of flesh as women go, and we took to each other on the jump. But I kept a-chasin' pockets and chasin' pockets, and delayin'. And then a big black lumberman, a Kanuck, began sidlin' up to her, and I made up my mind to speak—only I went off after one more pocket, just one more, and when I got back she was Mrs. Somebody Else.
"So take warnin'. There's that writer-guy, that skunk I poked outside the Opera House. He's walkin' right in and gettin' thick; and here's you, just like me, a-racin' round all creation and lettin' matrimony slide. Mark my words, Corliss! Some fine frost you'll come slippin' into camp and find 'em housekeepin'. Sure! With nothin' left for you in life but pocketing!"
The picture was so unpleasant that Corliss turned surly and ordered him to shut up.
"Who? Me?" Del asked so aggrievedly that Corliss laughed.
"What would you do, then?" he asked.