“German,” Grief corrected.
“It's all the same,” was the retort. “The sea was robbed of a good man that night he went ashore and Notutu took one look at him. I reckon they looked good to each other. Before you could say skat, she'd put a wreath of some kind of white flowers on his head, and in five minutes they were off down the beach, like a couple of kids, holding hands and laughing. I hope he's blown that big coral patch out of the channel. I always start a sheet or two of copper warping past.”
“Go on with the story,” Brown urged.
“That's all. He was finished right there. Got married that night. Never came on board again. I looked him up next day. Found him in a straw house in the bush, barelegged, a white savage, all mixed up with flowers and things and playing a guitar. Looked like a bally ass. Told me to send his things ashore. I told him I'd see him damned first. And that's all. You'll see her to-morrow. They've got three kiddies now—wonderful little rascals. I've a phonograph down below for him, and about a million records.”
“And then you made him trader?” the mate inquired of Grief.
“What else could I do? Fuatino is a love island, and Filsach is a lover. He knows the native, too—one of the best traders I've got, or ever had. He's responsible. You'll see him to-morrow.”
“Look here, young man,” Captain Glass rumbled threateningly at his mate. “Are you romantic? Because if you are, on board you stay. Fuatino's the island of romantic insanity. Everybody's in love with somebody. They live on love. It's in the milk of the cocoa-nuts, or the air, or the sea. The history of the island for the last ten thousand years is nothing but love affairs. I know. I've talked with the old men. And if I catch you starting down the beach hand in hand—”
His sudden cessation caused both the other men to look at him. They followed his gaze, which passed across them to the main rigging, and saw what he saw, a brown hand and arm, muscular and wet, being joined from overside by a second brown hand and arm. A head followed, thatched with long elfin locks, and then a face, with roguish black eyes, lined with the marks of wildwood's laughter.
“My God!” Brown breathed. “It's a faun—a sea-faun.”
“It's the Goat Man,” said Glass.