“Oh, yes, I can,” he began; but she interrupted.
“All those you named, and which you say yourself are good—you have not sold any of them. We can’t get married on masterpieces that won’t sell.”
“Then we’ll get married on triolets that will sell,” he asserted stoutly, putting his arm around her and drawing a very unresponsive sweetheart toward him.
“Listen to this,” he went on in attempted gayety. “It’s not art, but it’s a dollar.
“He came in
When I was out,
To borrow some tin
Was why he came in,
And he went without;
So I was in
And he was out.”
The merry lilt with which he had invested the jingle was at variance with the dejection that came into his face as he finished. He had drawn no smile from Ruth. She was looking at him in an earnest and troubled way.
“It may be a dollar,” she said, “but it is a jester’s dollar, the fee of a clown. Don’t you see, Martin, the whole thing is lowering. I want the man I love and honor to be something finer and higher than a perpetrator of jokes and doggerel.”
“You want him to be like—say Mr. Butler?” he suggested.
“I know you don’t like Mr. Butler,” she began.
“Mr. Butler’s all right,” he interrupted. “It’s only his indigestion I find fault with. But to save me I can’t see any difference between writing jokes or comic verse and running a type-writer, taking dictation, or keeping sets of books. It is all a means to an end. Your theory is for me to begin with keeping books in order to become a successful lawyer or man of business. Mine is to begin with hack-work and develop into an able author.”