“The measly skunk!” he said, and disappeared.
There was a ripping and tearing of vines and boughs. The trees surged back and forth, marking the passage of the animals through the midst of them. There was a clashing of steel-shod hoofs on stone, and now and again an oath or a sharp cry of command. Then the voice of the man was raised in song:—
“Tu’n around an’ tu’n yo’ face Untoe them sweet hills of grace (D’ pow’rs of sin yo’ am scornin’!). Look about an, look aroun’, Fling yo’ sin-pack on d’ groun’ (Yo’ will meet wid d’ Lord in d’ mornin’!).”
The song grew faint and fainter, and through the silence crept back the spirit of the place. The stream once more drowsed and whispered; the hum of the mountain bees rose sleepily. Down through the perfume-weighted air fluttered the snowy fluffs of the cottonwoods. The butterflies drifted in and out among the trees, and over all blazed the quiet sunshine. Only remained the hoof-marks in the meadow and the torn hillside to mark the boisterous trail of the life that had broken the peace of the place and passed on.
PLANCHETTE
“It is my right to know,” the girl said.
Her voice was firm-fibred with determination. There was no hint of pleading in it, yet it was the determination that is reached through a long period of pleading. But in her case it had been pleading, not of speech, but of personality. Her lips had been ever mute, but her face and eyes, and the very attitude of her soul, had been for a long time eloquent with questioning. This the man had known, but he had never answered; and now she was demanding by the spoken word that he answer.
“It is my right,” the girl repeated.
“I know it,” he answered, desperately and helplessly.