“Except music,” I threw in.
“Yes, but the sea and all the long-voyaging has cheated me out of most of the music I oughta have had coming to me.”
“I suppose you’ve heard Schumann Heink?”
“Wonderful, wonderful!” he murmured fervently, then regarded me with an eager wistfulness. “I’ve half-a-dozen of her records, and I’ve got the second dog-watch below. If Captain West don’t mind . . . ” (Captain West nodded that he didn’t mind). “And if you’d want to hear them? The machine is a good one.”
And then, to my amazement, when the steward had cleared the table, this hoary old relic of man-killing and man-driving days, battered waif of the sea that he was, carried in from his room a most splendid collection of phonograph records. These, and the machine, he placed on the table. The big doors were opened, making the dining-room and the main cabin into one large room. It was in the cabin that Captain West and I lolled in big leather chairs while Mr. Pike ran the phonograph. His face was in a blaze of light from the swinging lamps, and every shade of expression was visible to me.
In vain I waited for him to start some popular song. His records were only of the best, and the care he took of them was a revelation. He handled each one reverently, as a sacred thing, untying and unwrapping it and brushing it with a fine camel’s hair brush while it revolved and ere he placed the needle on it. For a time all I could see was the huge brute hands of a brute-driver, with skin off the knuckles, that expressed love in their every movement. Each touch on the discs was a caress, and while the record played he hovered over it and dreamed in some heaven of music all his own.
During this time Captain West lay back and smoked a cigar. His face was expressionless, and he seemed very far away, untouched by the music. I almost doubted that he heard it. He made no remarks between whiles, betrayed no sign of approbation or displeasure. He seemed preternaturally serene, preternaturally remote. And while I watched him I wondered what his duties were. I had not seen him perform any. Mr. Pike had attended to the loading of the ship. Not until she was ready for sea had Captain West come on board. I had not seen him give an order. It looked to me that Mr. Pike and Mr. Mellaire did the work. All Captain West did was to smoke cigars and keep blissfully oblivious of the Elsinore’s crew.
When Mr. Pike had played the “Hallelujah Chorus” from the Messiah, and “He Shall Feed His Flock,” he mentioned to me, almost apologetically, that he liked sacred music, and for the reason, perhaps, that for a short period, a child ashore in San Francisco, he had been a choir boy.
“And then I hit the dominie over the head with a baseball bat and sneaked off to sea again,” he concluded with a harsh laugh.
And thereat he fell to dreaming while he played Meyerbeer’s “King of Heaven,” and Mendelssohn’s “O Rest in the Lord.”