"Would I!"
The look of joy on Johnnie's face decided everything.
"Come here, then. Listen. I'm your father. I'm Josiah Childs. Did you ever want to run away?"
Johnnie nodded emphatically.
"That's what I did," Josiah went on. "I ran away." He fumbled for his watch hurriedly. "We've just time to catch the train for California. I live there now. Maybe Agatha, your mother, will come along afterward. I'll tell you all about it on the train. Come on."
He gathered the half-frightened, half-trusting boy into his arms for a moment, then, hand in hand, they fled across the yard, out of the gate, and down the street. They heard the kitchen door open, and the last they heard was:
"Johnnie!—you! Why ain't you sawing? I'll attend to your case directly!"
[THE FIRST POET]
SCENE: A summer plain, the eastern side of which is bounded by grassy hills of limestone, the other sides by a forest. The hill nearest to the plain terminates in a cliff, in the face of which, nearly at the level of the ground, are four caves, with low, narrow entrances. Before the caves, and distant from them less than one hundred feet, is a broad, flat rock, on which are laid several sharp slivers of flint, which, like the rock, are blood-stained. Between the rock and the cave-entrances, on a low pile of stones, is squatted a man, stout and hairy. Across his knees is a thick club, and behind him crouches a woman. At his right and left are two men somewhat resembling him, and like him, bearing wooden clubs. These four face the west, and between them and the bloody rock squat some threescore of cave-folk, talking loudly among themselves. It is late afternoon. The name of him on the pile of stones is Uk, the name of his mate, Ala; and of those at his right and left, Ok and Un.