“All right. I'll tell you how it happened.” He stopped and giggled with genuine boyish glee at some recollection. “It's like this. You won't be mad, now? We gotta do these sort of things to hold our own. Well, here's the show, a regular movin' picture except for file talkin'. Here's a big rube comin' along, hayseed stickin' out all over, hands like hams an' feet like Mississippi gunboats. He'd make half as much again as me in size an' he's young, too. Only he ain't lookin' for trouble, an' he's as innocent as... well, he's the innocentest scab that ever come down the pike an' bumped into a couple of pickets. Not a regular strike-breaker, you see, just a big rube that's read the bosses' ads an' come a-humpin' to town for the big wages.
“An' here's Bud Strothers an' me comin' along. We always go in pairs that way, an' sometimes bigger bunches. I flag the rube. 'Hello,' says I, 'lookin' for a job?' 'You bet,' says he. 'Can you drive?' 'Yep.' 'Four horses!' 'Show me to 'em,' says he. 'No josh, now,' says I; 'you're sure wantin' to drive?' 'That's what I come to town for,' he says. 'You're the man we're lookin' for,' says I. 'Come along, an' we'll have you busy in no time.'
“You see, Saxon, we can't pull it off there, because there's Tom Scanlon—you know, the red-headed cop only a couple of blocks away an' pipin' us off though not recognizin' us. So away we go, the three of us, Bud an' me leadin' that boob to take our jobs away from us I guess nit. We turn into the alley back of Campwell's grocery. Nobody in sight. Bud stops short, and the rube an' me stop.
“'I don't think he wants to drive,' Bud says, considerin'. An' the rube says quick, 'You betcher life I do.' 'You're dead sure you want that job?' I says. Yes, he's dead sure. Nothin's goin' to keep him away from that job. Why, that job's what he come to town for, an' we can't lead him to it too quick.
“'Well, my friend,' says I, 'it's my sad duty to inform you that you've made a mistake.' 'How's that?' he says. 'Go on,' I says; 'you're standin' on your foot.' And, honest to God, Saxon, that gink looks down at his feet to see. 'I don't understand,' says he. 'We're goin' to show you,' says I.
“An' then—Biff! Bang! Bingo! Swat! Zooie! Ker-slambango-blam! Fireworks, Fourth of July, Kingdom Come, blue lights, sky-rockets, an' hell fire—just like that. It don't take long when you're scientific an' trained to tandem work. Of course it's hard on the knuckles. But say, Saxon, if you'd seen that rube before an' after you'd thought he was a lightnin' change artist. Laugh? You'd a-busted.”
Billy halted to give vent to his own mirth. Saxon forced herself to join with him, but down in her heart was horror. Mercedes was right. The stupid workers wrangled and snarled over jobs. The clever masters rode in automobiles and did not wrangle and snarl. They hired other stupid ones to do the wrangling and snarling for them. It was men like Bert and Frank Davis, like Chester Johnson and Otto Frank, like Jelly Belly and the Pinkertons, like Henderson and all the rest of the scabs, who were beaten up, shot, clubbed, or hanged. Ah, the clever ones were very clever. Nothing happened to them. They only rode in their automobiles.
“'You big stiffs,' the rube snivels as he crawls to his feet at the end,” Billy was continuing. “'You think you still want that job?' I ask. He shakes his head. Then I read'm the riot act 'They's only one thing for you to do, old hoss, an' that's beat it. D'ye get me? Beat it. Back to the farm for YOU. An' if you come monkeyin' around town again, we'll be real mad at you. We was only foolin' this time. But next time we catch you your own mother won't know you when we get done with you.'
“An'—say!—you oughta seen'm beat it. I bet he's goin' yet. Ah' when he gets back to Milpitas, or Sleepy Hollow, or wherever he hangs out, an' tells how the boys does things in Oakland, it's dollars to doughnuts they won't be a rube in his district that'd come to town to drive if they offered ten dollars an hour.”
“It was awful,” Saxon said, then laughed well-simulated appreciation.