Here was a chamber of colossal proportions and more than a chamber in that it gave the impression of being without walls or roof. And in a way the impression was correct for straight overhead Kendric saw a ragged section of the heavens, bright with stars, and at first he failed to see the remote walls because of the shrubbery everywhere. Here was a strange underground garden that might have been the courtyard to an oriental monarch's palace, a region of spraying fountains, of heavily scented flowers, of berry-bearing shrubs, of birds of brilliant plumage. It was night; the stars cast small light down here into the depths of earth; and yet it was some moments before the startled Kendric asked himself the question: "Where does the full light come from?" And it was still other moments before he located the first of the countless lamps, lamps with green shades lost behind foliage, lamps set in recesses, lamps everywhere but cunningly placed so that one was bathed in their light without having the source of the illumination thrust into notice.
That here, at some long dead time of Mexican history, had been the retreat of some barbaric king Kendric did not doubt from the first sweeping glance. He knew something of the way in which the ancient monarchs had builded pleasure palaces for their luxurious relaxation; how whole armies of slaves, captured in war, were set at a giant task like other captives in older days in Egypt; he knew how thousands, tens of thousands of such poor wretches hopelessly toiled to build with their misery places of flowers and ease; how to celebrate many a temple or palace completed these poor artificers in a mournful procession of hundreds or thousands as the dignity of the endeavor required, went to the sacrifice. Now, standing here at Zoraida's side in this great still place, these thoughts winged to him swiftly, and for the moment he felt close to the past of Mexico.
"What was once the country place of Nezahualcoyoti, the Golden King of Tezcuco," said Zoraida, "is now the favorite garden of Zoraida. For the great Nezahualcoyoti captive workmen, laboring through the days and nights of many years, builded here as we see, my friend. Here he was wont to come when he would have relief from royal labor and intrigue, to shut himself up with music and feasting and those he loved. Here he came, be sure, with the beloved princess whom he ravished away from the old lord of Tepechpan. And here she remained awaiting him when he returned to the royal place at Tezcotzinco. And here were placed, four hundred and fifty years ago, the ashes of the golden king and of his beloved princess—and here they remain until this night. Come, Señor Americano; you shall see something of Zoraida's garden which after Nezahualcoyoti came in due time to be Montezuma's and after him, Guatamotzin's."
Kendric found himself drawn out of his angry mood of a few minutes past, charmed out of himself by his environment. Following Zoraida he passed along a broad walk winding through low shrubs and lined on each side with uniform stones of various colors that were like jewels. These boundaries were no doubt of choice fragments of finely polished chalcedony and jasper and obsidian; they were red and yellow and black and, at regular intervals, a pale exquisite blue which in the rays of the lamps were as beautiful as turquoises. They passed about a screen of dwarf cedars and came upon a tiny lakelet across which a boy might have hurled a stone; in the center, sprayed by a fountain that shone like silver, was a life-sized statue in marble representing a slender graceful maiden.
"The beloved princess," whispered Zoraida.
They went on, skirting the pool in which Kendric saw the stars mirrored. Now and then there was a splash; he made out a tortoise scrambling into the water; he caught the glint of a fish. They disturbed birds that flew from their hidden places in the trees; a little rabbit, like a tiny ball of fur, shot across their path.
Before them the central walk lay in shadows, under a vine-covered trellis. A hundred paces they went on, catching enchanting glimpses through the walls of leaves. Here was a column, gleaming white, elaborately carved with what were perhaps the triumphs of the golden king or some later monarch; yonder the walls of a miniature temple, more guessed than seen among the low trees; on every hand some relic of the olden time. Suddenly and without warning amidst all of this tender beauty of flowers and murmurous water and birds and perfumes Kendric came upon that which lasted on as a true sign to recall the strange nature of the ancient Aztec, a nation of refinement and culture and hideous barbarism and cruelty; a nation of epicures who upon great feast days ate of elaborately-served dishes of human flesh; a people who, in a garden like this, could find no inconsistency, no clash of discordancy, in introducing that which bespoke merciless cruelty and death, a grim token and reminder that a king's palace was a slaughter house as well; a strange race whose ears were attuned to ravishing strains of music and yet found no breach of harmony if those singing notes were pierced through with the shrieks of the tortured dying. Just opposite the most enchanting spot in these underground groves of pleasure was a great pyramidal heap of human skulls, thousands of them.
"The builders," explained Zoraida calmly. "Those who obeyed the commands of the Tezcucan king, who made his dream a reality, who were in the end sacrificed here. Five priests, alternating with another five, were unremitting night and day until at last the great sacrifice was complete. The records are there," and she pointed to a remote corner of the garden where vaguely through the greenery he made out stone columns; "I have seen them and I have made my own tally. Not less than ten thousand captives expired here." It struck Kendric that there was a note of pride in her tone. "Look; yonder is the great stone of sacrifice."
He drew closer, at once repelled and fascinated. A few yards from the base of the heap of skulls was a great block of jasper, polished and of a smoothness like glass. Upon this one after another of ten thousand human beings, strong struggling men and perhaps women and children had lain, while priests as terrible as vultures held them, while one priest of high skill and infinite cruelty drove his knife and made his gash and withdrew the anguished beating heart to hold it high above his head. Again Zoraida pointed; on the stone lay the ancient knife, a blade of "itztli," obsidian, dark, translucent, as hard as flint, a product of volcanic fires.
Kendric turned from stone and knife and human relics and looked with strange new wonder at Zoraida. She claimed kin with the royalty of this ancient order; perhaps her claim was just. He had wondered if she were mad; was not his answer now given him? Was she not after all that not uncommon thing called a throw-back, a reversion to an ancestral type? If in fact there flowed in her veins the blood of that princess of the golden king of Tezcuco who could have smiled at the whisperings of her lord and the tender cadences of music floating through the gardens his love had made for her, while just here his priests made their sacrifices and she, turning her eyes from his ardent ones, now and then languorously watched—was Zoraida mad or was she simply ancient Aztec or Toltec or Tezcucan, born four or five hundred years after her time? Her slow smile now as she watched him and no doubt read at least a portion of what lay in his mind, was baffling; he might have been looking back through the long dead years upon the Tezcucan's princess: in her eyes were tender passion and a glint that might have been a reflection of light from the sacrificial knife.