Alexander the Great / Makers of History

by Jacob Abbott

Ancient forms of worship.
Religious instincts.

In the days of the Greeks, public worship and public amusement were combined in one and the same series of spectacles and ceremonies. All worship was a theatrical show, and almost all shows were forms of worship. The religious instincts of the human heart demand some sort of sympathy and aid, real or imaginary, from the invisible world, in great and solemn undertakings, and in every momentous crisis in its history. It is true that Alexander's soldiers, about to leave their homes to go to another quarter of the globe, and into scenes of danger and death from which it was very improbable that many of them would ever return, had no other celestial protection to look up to than the spirits of ancient heroes, who, they imagined, had, somehow or other, found their final home in a sort of heaven among the summits of the mountains, where they reigned, in some sense, over human affairs; but this, small as it seems to us, was a great deal to them. They felt, when sacrificing to these gods, that they were invoking their presence and sympathy. These deities having been engaged in the same enterprises themselves, and animated with the same hopes and fears, the soldiers imagined that the semi-human divinities invoked by them would take an interest in their dangers, and rejoice is their success.

The nine Muses.

The Muses, in honor of whom, as well as Jupiter, this great Macedonian festival was held, were nine singing and dancing maidens, beautiful in countenance and form, and enchantingly graceful in all their movements. They came, the ancients imagined, from Thrace, in the north, and went first to Jupiter upon Mount Olympus, who made them goddesses. Afterward they went southward, and spread over Greece, making their residence, at last, in a palace upon Mount Parnassus, which will be found upon the [map] just north of the Gulf of Corinth and west of Bœotia. They were worshiped all over Greece and Italy as the goddesses of music and dancing. In later times particular sciences and arts were assigned to them respectively, as history, astronomy, tragedy, &c., though there was no distinction of this kind in early days.

Festivities in honor of Jupiter.
Spectacles and shows.

The festivities in honor of Jupiter and the Muses were continued in Macedon nine days, a number corresponding with that of the dancing goddesses. Alexander made very magnificent preparations for the celebration on this occasion. He had a tent made, under which, it is said, a hundred tables could be spread; and here he entertained, day after day, an enormous company of princes, potentates, and generals. He offered sacrifices to such of the gods as he supposed it would please the soldiers to imagine that they had propitiated. Connected with these sacrifices and feastings, there were athletic and military spectacles and shows—races and wrestlings—and mock contests, with blunted spears. All these things encouraged and quickened the ardor and animation of the soldiers. It aroused their ambition to distinguish themselves by their exploits, and gave them an increased and stimulated desire for honor and fame. Thus inspirited by new desires for human praise, and trusting in the sympathy and protection of powers which were all that they conceived of as divine, the army prepared to set forth from their native land, bidding it a long, and, as it proved to most of them, a final farewell.

Alexander's route.
Alexander begins his march.

By following the course of Alexander's expedition upon the [map] at the commencement of chapter iii., it will be seen that his route lay first along the northern coasts of the Ægean Sea. He was to pass from Europe into Asia by crossing the Hellespont between Sestos and Abydos. He sent a fleet of a hundred and fifty galleys, of three banks of oars each, over the Ægean Sea, to land at Sestos, and be ready to transport his army across the straits. The army, in the mean time, marched by land. They had to cross the rivers which flow into the Ægean Sea on the northern side; but as these rivers were in Macedon, and no opposition was encountered upon the banks of them, there was no serious difficulty in effecting the passage. When they reached Sestos, they found the fleet ready there, awaiting their arrival.

Romantic adventure.

It is very strikingly characteristic of the mingling of poetic sentiment and enthusiasm with calm and calculating business efficiency, which shone conspicuously so often in Alexander's career, that when he arrived at Sestos, and found that the ships were there, and the army safe, and that there was no enemy to oppose his landing on the Asiatic shore, he left Parmenio to conduct the transportation of the troops across the water, while he himself went away in a single galley on an excursion of sentiment and romantic adventure. A little south of the place where his army was to cross, there lay, on the Asiatic shore, an extended plain, on which were the ruins of Troy. Now Troy was the city which was the scene of Homer's poems—those poems which had excited so much interest in the mind of Alexander in his early years; and he determined, instead of crossing the Hellespont with the main body of his army, to proceed southward in a single galley, and land, himself, on the Asiatic shore, on the very spot which the romantic imagination of his youth had dwelt upon so often and so long.