In the mean time, René, shut up in the tower at the castle of Dijon, made himself as contented as he could, and employed his time in various peaceful and ingenious occupations. Though he had fought well in the battle with Antoine, he was, in fact, not at all of a warlike disposition. He was very fond of music, and poetry, and painting; and he occupied his leisure during his confinement in executing beautiful miniatures and paintings upon glass, after the manner of those times. Some of these paintings remained in the window of a church in Dijon, where they were placed soon after René painted them, for several hundred years.

Origin of René's royal title.

It has already been stated that the name by which Margaret's father is commonly designated is King René. The origin of this royal title is now to be explained. He had an older brother, who became by inheritance, with Joanna his wife, king and queen of the Two Sicilies, that is, of the kingdom consisting of the island of Sicily and the territory connected with Naples on the main land. The brother, at the close of his life, designated René as his heir. This happened in the year 1436, while René was still in captivity in the castle of Dijon. He could, of course, do nothing himself to assert his claims to this new inheritance, but Isabella immediately assumed the title of Queen of the Two Sicilies for herself, and began at once to make preparation for proceeding to Italy and taking possession of the kingdom.

Isabella and the children at Tarascon.

While maturing her plans, she took up her residence for a time at the chateau of Tarascon, on the banks of the Rhone, with the two children who remained under her care, namely, her son Louis and Margaret. Her other son was at Dijon with his father, and the other daughter, Yolante, had been given up, as has already been said, to the custody of the wife of Antoine, with a view of being married, as soon as she was old enough, to Antoine's son.

The children attracted great attention at Tarascon. Their mother Isabella was by birth a lady of very high rank, her family being intimately connected with the royal family of France. She was now, too, by title at least, herself a queen. The children were very intelligent and beautiful, and the misfortunes and cruel captivity of their father and brother were known and talked of in all the country around. So the peasants and their families crowded around the chateau to see the children. They brought them wreaths of flowers and other votive offerings. They sang songs to serenade them, and they built bonfires around the walls of the chateau at night, to drive away the infection of the plague, which was then prevailing in some parts of the country, and was exciting considerable alarm.

Witches and the plague.

The people of the country believed that this plague was produced by magic and witchcraft, and there were some poor old women, who came with the other peasants to the walls of the chateau of Tarascon to see the children, who were believed to be witches. Afterward the plague broke out at Tarascon, and Margaret's mother was obliged to go away, taking the children with her. The poor women were, however, seized and burned at the stake, it being universally believed that it was they who had caused the plague.

Isabella goes into Italy.

Isabella's arrangements were now so far matured that she went at once into Italy with the children, and took up her abode there in the town of Capua. René still remained in captivity, but Isabella caused him to be proclaimed King of the Two Sicilies with great pomp and parade. At the time of this ceremony, the two children, Margaret and her brother, were seated beside their mother in a grand state carriage, which was lined with velvet and embroidered with gold, and in this way they were conveyed through the streets of the city.