The king was very particular in the instructions which he gave to the commissioners in respect to the portraits, with a view of securing, if possible, perfectly correct and fair representations of the originals. He wished that the princesses should not be flattered at all by the artist in his delineation of them, and that they should not be dressed at their sittings in any unusually elegant manner. On the contrary, they were to be painted "in their kirtles simple, and their visages like as ye see, and their stature, and their beauty, and the color of their skin, and their countenances, just as they really are." The artist was instructed, too, by the commissioners to be expeditious in finishing the pictures and sending them to England, in order that the king might see them as soon as possible, and make his choice between the three young ladies whose "images" were to be thus laid before him.
The plan fails.
This plan for giving the king an opportunity to choose between the three princesses of Armagnac, nicely arranged as it was in all its details, failed of being carried successfully into effect; for the father of these princesses, as it happened, was at this same time engaged in some negotiations with the King of France in respect to the marriage of his daughters, and he wished to keep the negotiations with Henry in suspense until he had ascertained whether he could or could not do better in that quarter. So he contrived means to interrupt and retard the work of the artist, in order to delay for a time the finishing of the pictures.
In what way.
The cardinal's scheme.
In the mean time, while the Duke of Gloucester and his party were thus engaged in forwarding their scheme of inducing Henry to make choice of one of these three princesses for his wife, the cardinal himself was not idle. He had heard of the beautiful and accomplished Margaret of Anjou, and after full inquiry and reflection, he determined in his own mind to make her his candidate for the honor of being Queen of England. The manner in which he contrived to introduce the subject first to the notice of the king was this.
Champchevrier.
There was a certain man, named Champchevrier, who had been taken prisoner in Anjou in the course of the wars between France and England, and who was now held for ransom by the knight who had captured him. He was not, however, kept in close confinement, but was allowed to go at large in England on his parole—that is, on his word of honor that he would not make his escape and go back to his native land until his ransom was paid.
Champchevrier at court.
Now this Champchevrier, though a prisoner, was a gentleman by birth and education; and while he remained in England, held by his parole, was admitted to the best society there, and he often appeared at court, and frequently held converse with the king. In one of these interviews he described, in very glowing terms, the beauty and remarkable intelligence of Margaret of Anjou. It is supposed that he was induced to this by Cardinal Beaufort, who knew of his acquaintance with Margaret, and who contrived the interviews between Champchevrier and the king, in order to give the former an opportunity to speak of the lady to his majesty incidentally, as it were, and in a way not to excite the king's suspicions that the commendations of her which he heard were prompted by any match-making schemes formed for him by his courtiers.