Mary, however, found that it was in vain for her to resist the influences which pressed upon her the necessity of returning to her native land. She wandered about during the spring and summer after her husband's death, spending her time in various palaces and abbeys, and at length she began to prepare for her return to Scotland. The same gentleness and loveliness of character which she had exhibited in her prosperous fortunes, shone still more conspicuously now in her hours of sorrow. Sometimes she appeared in public, in certain ceremonies of state. She was then dressed in mourning—in white—according to the custom in royal families in those days, her dark hair covered by a delicate crape veil. Her beauty, softened and chastened by her sorrows, made a strong impression upon all who saw her.
She is called the White Queen.
A device.
She appeared so frequently, and attracted so much attention in her white mourning, that she began to be known among the people as the White Queen. Every body wanted to see her. They admired her beauty; they were impressed with the romantic interest of her history; they pitied her sorrows. She mourned her husband's death with deep and unaffected grief. She invented a device and motto for a seal, appropriate to the occasion: it was a figure of the liquorice-tree, every part of which is useless except the root, which, of course, lies beneath the surface of the earth. Underneath was the inscription, in Latin, My treasure is in the ground. The expression is much more beautiful in the Latin than can be expressed in any English words.[D]
Mary's employments.
Her beautiful hands.
Mary did not, however, give herself up to sullen and idle grief, but employed herself in various studies and pursuits, in order to soothe and solace her grief by useful occupation. She read Latin authors; she studied poetry; she composed. She paid much attention to music, and charmed those who were in her company by the sweet tones of her voice and her skillful performance upon an instrument. The historians even record a description of the fascinating effect produced by the graceful movements of her beautiful hand. Whatever she did or said seemed to carry with it an inexpressible charm.
Melancholy visit.
Before she set out on her return to Scotland she went to pay a visit to her grandmother, the same lady whom her mother had gone to see in her castle, ten years before, on her return to Scotland after her visit to Mary. During this ten years the unhappy mourner had made no change in respect to her symbols of grief. The apartments of her palace were still hung with black. Her countenance wore the same expression of austerity and woe. Her attendants were trained to pay to her every mark of the most profound deference in all their approaches to her. No sounds of gayety or pleasure were to be heard, but a profound stillness and solemnity reigned continually throughout the gloomy mansion.
Mary returns to Paris.
Jealousy.
Not long before the arrangements were completed for Mary's return to Scotland, she revisited Paris, where she was received with great marks of attention and honor. She was now eighteen or nineteen years of age, in the bloom of her beauty, and the monarch of a powerful kingdom, to which she was about to return, and many of the young princes of Europe began to aspire to the honor of her hand. Through these and other influences, she was the object of much attention; while, on the other hand, Queen Catharine, and the party in power at the French court, were envious and jealous of her popularity, and did a great deal to mortify and vex her.
Queen Elizabeth.
Her character.