Nero / Makers of History Series

by Jacob Abbott

Nero very naturally reported all this to his companions. They of course advised him not to believe any thing that his mother said, nor to trust to her in any way. "It is all," said they, "an artful device on her part to get you into her power; and no young man of pride and spirit will submit to the disgrace of being under his mother's management and control." The young profligate listened to the counsels of his associates, and rejected the overtures which his mother had made him. He continued his attachment to Acte, but kept as much as possible aloof from Agrippina.

His treatment of her.

He desired, however, if possible, to avoid an open quarrel with his mother, and so he made some effort to treat her with attention and respect, in his general bearing toward her, while he persisted in refusing to admit her to his confidence in respect to Acte. These general attentions were, however, by no means sufficient to satisfy Agrippina. The influence of Acte was what she feared, and she well knew that her own power was in imminent danger of being undermined and overthrown, unless she could find some means of bringing her son's connection with his favorite under her own control. Thus the calm that seemed for a short time to reign between Nero and his mother was an armistice rather than a peace, and this armistice was brought at length to a sudden termination by an act of Nero's which he intended as an act of conciliation and kindness, but which proved to be in effect the means of awakening his mother's anger anew, and of exciting her even to a more violent exasperation than she had felt before.

He makes her a present of jewelry.
Agrippina is enraged.

It seems that among the other treasures of the imperial palace at Rome there was an extensive wardrobe of very costly female dresses and decorations, which was appropriated to the use of the wives and mothers of the emperors. Nero conceived the idea of making a present to his mother, from this collection. He accordingly selected a magnificent dress, and a considerable quantity of jewelry, and sent them to Agrippina. Instead of being gratified with this gift, however, Agrippina received it as an affront. She had been so long accustomed to consider herself as the first personage in the imperial household, that she regarded all such things as rightfully her own; and she consequently looked upon the act of Nero in formally presenting her with a small portion of these treasures, as a simple impertinence, and as intended to notify her that he considered all that remained of the collection as his property, and thenceforth as such subject to his exclusive control. Instead therefore of being appeased by Nero's offering she was greatly enraged by it. The angry invectives which she uttered were duly reported to the emperor, and his indignation and resentment were aroused by them anew, and thus the breach between the mother and the son became wider than ever.

The Jewelry.

Nero resolves to subdue his mother.
His plan.

In fact Nero began to perceive very clearly that if he intended to secure for himself any thing more than the empty semblance of power, he must at once do something effectual to curb the domineering and ambitious spirit of his mother. After revolving this subject in his mind, he finally concluded that the measure which promised to be most decisive was to dismiss a certain public officer named Pallas, who had been brought forward into public life many years before by Agrippina, and was now the chief instrument of her political power. Pallas was the public treasurer, and he had amassed such enormous wealth by his management of the public finances, that at one time when Claudius was complaining of the impoverished condition of his exchequer, some one replied that he would soon be rich enough if he could but induce his treasurer to receive him into partnership.