A circumstance occurred about this time which, though very trifling in itself, had the effect greatly to increase the jealousy and fear in respect to Britannicus, which Nero was inclined to feel. It seems that among the other amusements with which the company were accustomed to entertain themselves in the social gatherings that took place, from time to time, in the imperial palace, there was a certain game which they used to play, called, "Who shall be king?" The game consisted of choosing one of the party by lot to be king, and then of requiring all the others to obey the commands, whatever they might be, which the king so chosen might issue. Of course, the success of the game depended upon the art and ingenuity of the king in prescribing such things to be done by his various subjects, as would most entertain and amuse the company. What the forfeit or penalty was, that the rules of the game required, in case of disobedience, is not stated; but every one was considered bound to obey the commands that were laid upon him,—provided, of course, that the thing required was within his power.
Nero's orders to Britannicus.
Nero himself, it appears, was accustomed to join in these sports, and one evening, when a party were all playing it together in his palace, it fell to his lot to be king. When it came to be the turn of Britannicus to receive orders, Nero directed him to go out into the middle of the room, and sing a song to the company. This was a very severe requirement for one so young as Britannicus, and so little accustomed to take an active part in the festivities of so gay a company; and the motive of Nero in making it, was supposed to be a feeling of ill-will, and a desire to tease his brother, by placing him in an awkward and embarrassing situation—one in which he would be compelled either to interrupt the game by refusing to obey the orders of the king, or to expose himself to ridicule by making a fruitless attempt to sing a song.
To the surprise of all, however, Britannicus rose from his seat without any apparent hesitation or embarrassment, walked out upon the floor, and took his position. The attention of the whole company was fixed upon him. All sounds were hushed.
The song which Britannicus sung.
He began to sing. The song was a lament, describing in plaintive words and in mournful music, the situation and the sorrows of a young prince, excluded wrongfully from the throne of his ancestors.[B] The whole company listened with profound attention, charmed at first by the artless simplicity of the music, and the grace and beauty of the boy. As Britannicus proceeded in his song, and the meaning of it, in its application to his own case, began to be perceived, a universal sympathy for him was felt, by the whole assembly, and when he concluded and resumed his seat, the apartment was filled with suppressed murmurs of applause. The effect of this scene upon the mind of Nero, was of course only to awaken feelings of vexation and anger. He looked on in moody silence, uttering mentally the fiercest threats and denunciations against the object of his jealousy, whom he was now compelled to look upon, more than ever before, as a dangerous and formidable rival. He determined, in fact, that Britannicus should die.
Nero resolves to resort to poison.
In considering by what means he should undertake to effect his purpose, it seemed to Nero most prudent to employ poison. There was no pretext whatever for any criminal charge against the young prince, and Nero did not dare to resort to open violence. He determined, therefore, to resort to poison, and to employ Locusta to prepare it.
Pollio and Locusta.
The plan at first fails.