Xerxes / Makers of History

by Jacob Abbott

As soon as Themistocles had finished his speech, he ordered his men to embark, and the fleet immediately afterward formed itself in battle array.

Excitement and confusion.
Commencement of the battle.

Notwithstanding the strictness of the order and discipline which generally prevailed in Greek armaments of every kind, there was great excitement and much confusion in the fleet while making all these preparations, and this excitement and confusion increased continually as the morning advanced and the hour for the conflict drew nigh. The passing of boats to and fro, the dashing of the oars, the clangor of the weapons, the vociferations of orders by the officers and of responses by the men, mingled with each other in dreadful turmoil, while all the time the vast squadrons were advancing toward each other, each party of combatants eager to begin the contest. In fact, so full of wild excitement was the scene, that at length the battle was found to be raging on every side, while no one knew or could remember how it began. Some said that a ship, which had been sent away a short time before to Ægina to obtain succors, was returning that morning, and that she commenced the action as she came through the Persian lines. Others said the Greek squadron advanced as soon as they could see, and attacked the Persians; and there were some whose imaginations were so much excited by the scene that they saw a female form portrayed among the dim mists of the morning, that urged the Greeks onward by beckonings and calls. They heard her voice, they said, crying to them, "Come on! come on! this is no time to linger on your oars."

Fury of the conflict.
Modern naval battles.
Observations of Xerxes.

However this may be, the battle was soon furiously raging on every part of the Bay of Salamis, exhibiting a wide-spread scene of conflict, fury, rage, despair, and death, such as had then been seldom witnessed in any naval conflict, and such as human eyes can now never look upon again. In modern warfare the smoke of the guns soon draws an impenetrable veil over the scene of horror, and the perpetual thunder of the artillery overpowers the general din. In a modern battle, therefore, none of the real horrors of the conflict can either be heard or seen by any spectator placed beyond the immediate scene of it. The sights and the sounds are alike buried and concealed beneath the smoke and the noise of the cannonading. There were, however, no such causes in this case to obstruct the observations which Xerxes was making from his throne on the shore. The air was calm, the sky serene, the water was smooth, and the atmosphere was as transparent and clear at the end of the battle as at the beginning. Xerxes could discern every ship, and follow it with his eye in all its motions. He could see who advanced and who retreated. Out of the hundreds of separate conflicts he could choose any one, and watch the progress of it from the commencement to the termination. He could see the combats on the decks, the falling of repulsed assailants into the water, the weapons broken, the wounded carried away, and swimmers struggling like insects on the smooth surface of the sea. He could see the wrecks, too, which were drifted upon the shores, and the captured galleys, which, after those who defended them had been vanquished—some killed, others thrown overboard, and others made prisoners—were slowly towed away by the victors to a place of safety.

Artemisia.
Enemies of Artemisia.

There was one incident which occurred in this scene, as Xerxes looked down upon it from the eminence where he sat, which greatly interested and excited him, though he was deceived in respect to the true nature of it. The incident was one of Artemisia's stratagems. It must be premised, in relating the story, that Artemisia was not without enemies among the officers of the Persian fleet. Many of them were envious of the high distinction which she enjoyed, and jealous of the attention which she received from the king, and of the influence which she possessed over him. This feeling showed itself very distinctly at the grand council, when she gave her advice, in connection with that of the other commanders, to the king. Among the most decided of her enemies was a certain captain named Damasithymus. Artemisia had had a special quarrel with him while the fleet was coming through the Hellespont, which, though settled for the time, left the minds of both parties in a state of great hostility toward each other.

Stratagem of Artemisia.

It happened, in the course of the battle, that the ship which Artemisia personally commanded and that of Damasithymus were engaged, together with other Persian vessels, in the same part of the bay; and at a time when the ardor and confusion of the conflict was at its height, the galley of Artemisia, and some others that were in company with hers, became separated from the rest, perhaps by the too eager pursuit of an enemy, and as other Greek ships came up suddenly to the assistance of their comrades, the Persian vessels found themselves in great danger, and began to retreat, followed by their enemies. We speak of the retreating galleys as Persian, because they were on the Persian side in the contest, though it happened that they were really ships from Greek nations, which Xerxes had bribed or forced into his service. The Greeks knew them to be enemies, by the Persian flag which they bore.