[600] There are two new editions of the poem, that of Pingaud (Paris, 1872), and that of Corradini (Padua, 1874). In 1874 two Italian translations also appeared by G. B. Gaudo and A. Palesa. On the Africa, compare L. Geiger: Petrarca, pp. 122 sqq., and p. 270, note 7.
[601] Filippo Villani, Vite, ed. Galetti, p. 16.
[602] Franc. Aleardi Oratio in laudem Franc. Sfortiae, in Marat. xxv. col. 384. In comparing Scipio with Caesar, Guarino and Cyriacus Anconitanus held the latter, Poggio (Opera, epp. fol. 125, 134 sqq.) the former, to be the greater. For Scipio and Hannibal in the miniatures of Attavante, see Vasari, iv. 41. Vita di Fiesole. The names of both used for Picinino and Sforza. See p. 99. There were great disputes as to the relative greatness of the two. Shepherd-Tonelli, i. 262 sqq. and Rosmini: Guarino, ii. 97-111.
[603] The brilliant exceptions, where rural life is treated realistically, will also be mentioned below.
[604] Printed in Mai, Spicilegium Romanum, vol. viii. pp. 488-504; about 500 hexameter verses. Pierio Valeriano followed out the myth in his poetry. See his Carpio, in the Deliciae poetarum Italorum. The frescoes of Brusasorci in the Pal. Murari at Verona represent the subject of the Sarca.
[605] Newly edited and translated by Th. A. Fassnacht in Drei Perlen der neulateinischen Poesie. Leutkirch and Leipzig, 1875. See further, Goethe’s Werke (Hempel’sche Ausgabe), vol. xxxii. pp. 157 and 411.
[606] De sacris diebus.
[607] E.g. in his eighth eclogue.
[608] There are two unfinished and unprinted Sforziads, one by the elder, the other by the younger Filelfo. On the latter, see Favre, Mélanges d’Hist. Lit. i. 156; on the former, see Rosmini, Filelfo, ii. 157-175. It is said to be 12,800 lines long, and contains the passage: ‘The sun falls in love with Bianca.’
[609] Roscoe, Leone X. ed. Bossi, viii. 184. A poem in a similar style, xii. 130. The poem of Angilbert on the Court of Charles the Great curiously reminds us of the Renaissance. Comp. Pertz. Monum. ii.