In a few cases, where Dr. Geiger’s view differs from that taken by Dr. Burckhardt, I have called attention to the fact by bracketing Dr. Geiger’s opinion and adding his initials.

THE TRANSLATOR.

CONTENTS.

[PART I.
THE STATE AS A WORK OF ART]
[CHAPTER I.
INTRODUCTION.]
PAGE
Political condition of Italy in the thirteenth century[4]
The Norman State under Frederick II.[5]
Ezzelino da Romano[7]
[CHAPTER II.
THE TYRANNY OF THE FOURTEENTH CENTURY.]
Finance and its relation to culture[8]
The ideal of the absolute ruler[9]
Inward and outward dangers[10]
Florentine estimate of the tyrants[11]
The Visconti[12]
[CHAPTER III.
THE TYRANNY OF THE FIFTEENTH CENTURY.]
Intervention and visits of the emperors[18]
Want of a fixed law of succession. Illegitimacy[20]
Founding of States by Condottieri[22]
Relations of Condottieri to their employers[23]
The family of Sforza[24]
Giacomo Piccinino[25]
Later attempts of the Condottieri[26]
[CHAPTER IV.
THE PETTY TYRANNIES.]
The Baglioni of Perugia[28]
Massacre in the year 1500[31]
Malatesta, Pico, and Petrucci[33]
[CHAPTER V.
THE GREATER DYNASTIES.]
The Aragonese at Naples[35]
The last Visconti at Milan[38]
Francesco Sforza and his luck[39]
Galeazzo Maria and Ludovic Moro[40]
The Gonzaga at Mantua[43]
Federigo da Montefeltro, Duke of Urbino[44]
The Este at Ferrara[46]
[CHAPTER VI.
THE OPPONENTS OF TYRANNY.]
The later Guelphs and Ghibellines[55]
The conspirators[56]
Murders in church[57]
Influence of ancient tyrannicide[57]
Catiline as an ideal[59]
Florentine view of tyrannicide[59]
The people and tyrannicide[60]
[CHAPTER VII.
THE REPUBLICS: VENICE AND FLORENCE.]
Venice in the fifteenth century[62]
The inhabitants[63]
Dangers from the poor nobility[64]
Causes of the stability of Venice[65]
The Council of Ten and political trials[66]
Relations with the Condottieri[67]
Optimism of Venetian foreign policy[68]
Venice as the home of statistics[69]
Retardation of the Renaissance[71]
Mediæval devotion to reliques[72]
Florence from the fourteenth century[73]
Objectivity of political intelligence[74]
Dante as a politician[75]
Florence as the home of statistics: the two Villanis[76]
Higher form of statistics[77]
Florentine constitutions and the historians[82]
Fundamental vice of the State[82]
Political theorists[83]
Macchiavelli and his views[84]
Siena and Genoa[86]
[CHAPTER VIII.
FOREIGN POLICY OF THE ITALIAN STATES.]
Envy felt towards Venice[88]
Relations to other countries: sympathy with France[89]
Plan for a balance of power[90]
Foreign intervention and conquests[91]
Alliances with the Turks[92]
Counter-influence of Spain[94]
Objective treatment of politics[95]
Art of diplomacy[96]
[CHAPTER IX.
WAR AS A WORK OF ART.]
Firearms[98]
Professional warriors and dilettanti[99]
Horrors of war[101]
[CHAPTER X.
THE PAPACY AND ITS DANGERS.]
Relation of the Papacy to Italy and foreign countries[103]
Disturbances in Rome from the time of Nicholas V.[104]
Sixtus IV. master of Rome[105]
States of the Nipoti in Romagna[107]
Cardinals belonging to princely houses[107]
Innocent VIII. and his son[108]
Alexander VI. as a Spaniard[109]
Relations with foreign countries[110]
Simony[111]
Cæsar Borgia and his relations to his father[111]
Cæsar’s plans and acts[112]
Julius II. as Saviour of the Papacy[117]
Leo X. His relations with other States[120]
Adrian VI.[121]
Clement VII. and the sack of Rome[122]
Reaction consequent on the latter[123]
The Papacy of the Counter-Reformation[124]
Conclusion. The Italian patriots[125]
[PART II.
THE DEVELOPMENT OF THE INDIVIDUAL.]
[CHAPTER I.
THE ITALIAN STATE AND THE INDIVIDUAL.]
The mediæval man[129]
The awakening of personality[129]
The despot and his subjects[130]
Individualism in the Republics[131]
Exile and cosmopolitanism[132]
[CHAPTER II.
THE PERFECTING OF THE INDIVIDUAL.]
The many-sided men[134]
The universal men[136]
[CHAPTER III.
THE MODERN IDEA OF FAME.]
Dante’s feeling about fame[139]
The celebrity of the Humanists: Petrarch[141]
Cultus of birthplace and graves[142]
Cultus of the famous men of antiquity[143]
Literature of local fame: Padua[143]
Literature of universal fame[146]
Fame given or refused by the writers[150]
Morbid passion for fame[152]
[CHAPTER IV.
MODERN WIT AND SATIRE.]
Its connection with individualism[154]
Florentine wit: the novel[155]
Jesters and buffoons[156]
Leo X. and his witticisms[157]
Poetical parodies[158]
Theory of wit[159]
Railing and reviling[161]
Adrian VI. as scapegoat[162]
Pietro Aretino[164]
[PART III.
THE REVIVAL OF ANTIQUITY.]
[CHAPTER I.
INTRODUCTORY REMARKS.]
Widened application of the word ‘Renaissance’[171]
Antiquity in the Middle Ages[172]
Latin poetry of the twelfth century in Italy[173]
The spirit of the fourteenth century[175]
[CHAPTER II.
ROME, THE CITY OF RUINS.]
Dante, Petrarch, Uberti[177]
Rome at the time of Poggio[179]
Nicholas V., and Pius II. as an antiquarian[180]
Antiquity outside Rome[181]
Affiliation of families and cities on Rome[182]
The Roman corpse[183]
Excavations and architectural plans[184]
Rome under Leo X.[184]
Sentimental effect of ruins[185]
[CHAPTER III.
THE OLD AUTHORS.]
Their diffusion in the fourteenth century[187]
Discoveries in the fifteenth century[188]
The libraries[189]
Copyists and ‘Scrittori’[192]
Printing[194]
Greek scholarship[195]
Oriental scholarship[197]
Pico’s view of antiquity[202]
[CHAPTER IV.
HUMANISM IN THE FOURTEENTH CENTURY.]
Its inevitable victory[203]
Dante, Petrarch, and Boccaccio[205]
Coronation of the poets[207]
[CHAPTER V.
THE UNIVERSITIES AND SCHOOLS.]
Position of the Humanists at the Universities[211]
Latin schools[213]
Freer education: Vittorino da Feltre[213]
Guarino of Verona[215]
The education of princes[216]
[CHAPTER VI.
THE FURTHERERS OF HUMANISM.]
Florentine citizens: Niccoli and Manetti[217]
The earlier Medici[220]
Humanism at the Courts[222]
The Popes from Nicholas V. onwards[223]
Alfonso of Naples[225]
Frederick of Urbino[227]
The Houses of Sforza and Este[227]
Sigismodo Malatesta[228]
[CHAPTER VII.
THE REPRODUCTION OF ANTIQUITY. LATIN CORRESPONDENCE AND ORATIONS.]
The Papal Chancery[230]
Letter-writing[232]
The orators[233]
Political, diplomatic, and funeral orations[236]
Academic and military speeches[237]
Latin sermons[238]
Form and matter of the speeches[239]
Passion for quotation[240]
Imaginary speeches[241]
Decline of eloquence[242]
[CHAPTER VIII.
LATIN TREATISES AND HISTORY.]
Value of Latin[243]
Researches on the Middle Ages: Blondus[245]
Histories in Italian; their antique spirit[246]
[CHAPTER IX.
GENERAL LATINISATION OF CULTURE.]
Ancient names[250]
Latinised social relations[251]
Claims of Latin to supremacy[252]
Cicero and the Ciceronians[253]
Latin conversation[254]
[CHAPTER X.
MODERN LATIN POETRY.]
Epic poems on ancient history: The ‘Africa’[258]
Mythic poetry[259]
Christian epics: Sannazaro[260]
Poetry on contemporary subjects[261]
Introduction of mythology[262]
Didactic poetry: Palingenius[263]
Lyric poetry and its limits[264]
Odes on the saints[265]
Elegies and the like[266]
The epigram[267]
[CHAPTER XI.
FALL OF THE HUMANISTS IN THE SIXTEENTH CENTURY.]
The accusations and the amount of truth they contained[272]
Misery of the scholars[277]
Type of the happy scholar[278]
Pomponius Laetus[279]
The Academies[280]
[PART IV.
THE DISCOVERY OF THE WORLD AND OF MAN.]
[CHAPTER I.
JOURNEYS OF THE ITALIANS.]
Columbus[286]
Cosmographical purpose in travel[287]
[CHAPTER II.
NATURAL SCIENCE IN ITALY.]
Empirical tendency of the nation[289]
Dante and astronomy[290]
Attitude of the Church towards natural science[290]
Influence of Humanism[291]
Botany and gardens[292]
Zoology and collections of foreign animals[293]
Human menagerie of Ippolito Medici[296]
[CHAPTER III.
THE DISCOVERY OF NATURAL BEAUTY.]
Landscapes in the Middle Ages[299]
Petrarch and his ascents of mountains[301]
Uberti’s ‘Dittamondo’[302]
The Flemish school of painting[302]
Æneas Sylvius and his descriptions[303]
Nature in the poets and novelists[305]
[CHAPTER IV.
THE DISCOVERY OF MAN.—SPIRITUAL DESCRIPTION IN POETRY.]
Popular psychological ground-work. The temperaments[309]
Value of unrhymed poetry[310]
Value of the Sonnet[310]
Dante and the ‘Vita Nuova’[312]
The ‘Divine Comedy’[312]
Petrarch as a painter of the soul[314]
Boccaccio and the Fiammetta[315]
Feeble development of tragedy[315]
Scenic splendour, the enemy of the drama[316]
The intermezzo and the ballet[317]
Comedies and masques[320]
Compensation afforded by music[321]
Epic romances[321]
Necessary subordination of the descriptions of character[323]
Pulci and Bojardo[323]
Inner law of their compositions[324]
Ariosto and his style[325]
Folengo and parody[326]
Contrast offered by Tasso[327]
[CHAPTER V.
BIOGRAPHY.]
Advance of Italy on the Middle Ages[328]
Tuscan biographers[330]
Biography in other parts of Italy[332]
Autobiography; Æneas Sylvius[333]
Benvenuto Cellini[333]
Girolamo Cardano[334]
Luigi Cornaro[335]
[CHAPTER VI.
THE DESCRIPTION OF NATIONS AND CITIES.]
The ‘Dittamondo’[339]
Descriptions in the sixteenth century[339]
[CHAPTER VII.
DESCRIPTION OF THE OUTWARD MAN.]
Boccaccio on Beauty[344]
Ideal of Firenzuola[345]
His general definitions[345]
[CHAPTER VIII.
DESCRIPTIONS OF LIFE IN MOVEMENT.]
Æneas Sylvius and others[349]
Conventional bucolic poetry from the time of Petrarch[350]
Genuine poetic treatment of country life[351]
Battista Mantovano, Lorenzo Magnifico, Pulci[352]
Angelo Poliziano[353]
Man, and the conception of humanity[354]
Pico della Mirandola on the dignity of man[354]
[PART V.
SOCIETY AND FESTIVALS.]
[CHAPTER I.
THE EQUALISATION OF CLASSES.]
Contrast to the Middle Ages[359]
Common life of nobles and burghers in the cities[359]
Theoretical criticism of noble birth[360]
The nobles in different parts of Italy[362]
The nobility and culture[363]
Bad influence of Spain[363]
Knighthood since the Middle Ages[364]
The tournaments and the caricature of them[365]
Noble birth as a requisite of the courtier[367]
[CHAPTER II.
OUTWARD REFINEMENT OF LIFE.]
Costume and fashions[369]
The toilette of women[371]
Cleanliness[374]
The ‘Galateo’ and good manners[375]
Comfort and elegance[376]
[CHAPTER III.
LANGUAGE AS THE BASIS OF SOCIAL INTERCOURSE.]
Development of an ideal language[378]
Its wide diffusion[379]
The Purists[379]
Their want of success[382]
Conversation[383]
[CHAPTER IV.
THE HIGHER FORMS OF SOCIETY.]
Rules and statutes[384]
The novelists and their society[384]
The great lady and the drawing-room[385]
Florentine society[386]
Lorenzo’s descriptions of his own circle[387]
[CHAPTER V.
THE PERFECT MAN OF SOCIETY.]
His love-making[388]
His outward and spiritual accomplishments[389]
Bodily exercises[389]
Music[390]
The instruments and the Virtuosi[392]
Musical dilettantism in society[393]
[CHAPTER VI.
THE POSITION OF WOMEN.]
Their masculine education and poetry[396]
Completion of their personality[397]
The Virago[398]
Women in society[399]
The culture of the prostitutes[399]
[CHAPTER VII.
DOMESTIC ECONOMY.]
Contrast to the Middle Ages[402]
Agnolo Pandolfini (L. B. Alberti)[402]
The villa and country life[404]
[CHAPTER VIII.
THE FESTIVALS.]
Their origin in the mystery and the procession[406]
Advantages over foreign countries[408]
Historical representatives of abstractions[409]
The Mysteries[411]
Corpus Christi at Viterbo[414]
Secular representations[415]
Pantomimes and princely receptions[417]
Processions and religious Trionfi[419]
Secular Trionfi[420]
Regattas and processions on water[424]
The Carnival at Rome and Florence[426]
[PART VI.
MORALITY AND RELIGION.]
[CHAPTER I.
MORALITY.]
Limits of criticism[431]
Italian consciousness of demoralization[432]
The modern sense of honour[433]
Power of the imagination[435]
The passion for gambling and for vengeance[436]
Breach of the marriage tie[441]
Position of the married woman[442]
Spiritualization of love[445]
General emancipation from moral restraints[446]
Brigandage[448]
Paid assassination: poisoning[450]
Absolute wickedness[453]
Morality and individualism[454]
[CHAPTER II.
RELIGION IN DAILY LIFE.]
Lack of a reformation[457]
Relations of the Italian to the Church[457]
Hatred of the hierarchy and the monks[458]
The mendicant orders[462]
The Dominican Inquisition[462]
The higher monastic orders[463]
Sense of dependence on the Church[465]
The preachers of repentance[466]
Girolamo Savonarola[473]
Pagan elements in popular belief[479]
Faith in reliques[481]
Mariolatry[483]
Oscillations in public opinion[485]
Epidemic religious revivals[485]
Their regulation by the police at Ferrara[487]
[CHAPTER III.
RELIGION AND THE SPIRIT OF THE RENAISSANCE.]
Inevitable subjectivity[490]
Worldliness[492]
Tolerance of Mohammedanism[492]
Equivalence of all religions[494]
Influence of antiquity[495]
The so-called Epicureans[496]
The doctrine of free will[497]
The pious Humanists[499]
The less pronounced Humanists[499]
Codrus Urceus[500]
The beginnings of religious criticism[501]
Fatalism of the Humanists[503]
Their pagan exterior[504]
[CHAPTER IV.
MIXTURE OF ANCIENT AND MODERN SUPERSTITIONS.]
Astrology[507]
Its extension and influence[508]
Its opponents in Italy[515]
Pico’s opposition and influence[516]
Various superstitions[518]
Superstition of the Humanists[519]
Ghosts of the departed[522]
Belief in dæmons[523]
The Italian witch[524]
Witches’ nest at Norcia[526]
Influence and limits of Northern witchcraft[528]
Witchcraft of the prostitutes[529]
The magicians and enchanters[530]
The dæmons on the way to Rome[531]
Special forms of magic: the Telesmata[533]
Magic at the laying of foundation-stones[534]
The necromancer in poetry[535]
Benvenuto Cellini’s tale[536]
Decline of magic[537]
Special branches of the superstition[538]
[CHAPTER V.
GENERAL DISINTEGRATION OF BELIEF.]
Last confession of Boscoli[543]
Religious disorder and general scepticism[543]
Controversy as to immortality[545]
The pagan heaven[545]
The Homeric life to come[546]
Evaporation of Christian doctrine[547]
Italian Thei[548]

PART I.
THE STATE AS A WORK OF ART.

CHAPTER I.
INTRODUCTION.