Chaldea is, comparatively speaking, a small tract of land situated between the river Euphrates and the Arabian desert, or Badien el Arab, with Babylon on its north and the Gulf of Persia on the southwestern point.
The river Euphrates takes its rise in the Gulf of Persia and runs westward, and divides into four branches.
The first branch, the Pasitigris, runs somewhat westward through Susiana; the second, Chaosper or Kirkhah, runs northward through Susiana; the third, the river Tigris, runs north, northwest, separating Babylon from Susiana by Assyria; the fourth, the river Euphrates, the farthest south, runs westward, etc.
This is the only river near the Gulf of Persia that divides into four branches, and these are the four rivers that are indicated where the garden of Eden was planted. This is near enough geographically to locate this garden which the Lord God planted. It will indeed afford great pleasure for pious people to know whereabouts they can find the garden of Eden. In this rapid-transit age, they can get an excursion ticket and reach this Paradise in a few weeks. This garden was planted in Chaldea.
We will now see what God did next.
Verse 15: “And the Lord God took the man, and put him into the garden of Eden to dress it and keep it.” God gave the position of gardener to Mr. Adam. The only stipulation in the contract between the Lord God and Adam was (verses 16, 17), he could eat of every tree in the garden except the tree of knowledge. There is a God for you—wants to keep the man he made in his own image, a living soul, as ignorant and as stupid as possible; in addition tempting him to commit a wrong act.
Verse 18: “And the Lord God said, It is not good that the man should be alone; I will make him a help meet for him.” Very considerate indeed on the part of God.
Verse 21: “And the Lord God caused a deep sleep to fall upon Adam, and he slept; and he took one of his ribs and closed up the flesh thereof.” This is the cleverest kind of surgical operation that was ever performed, without loss of blood, use of antiseptics or anesthetics, without ligature, etc. And out of this rib he made a woman. Why did God make a man of dust and the woman out of the man’s rib? Why did he breathe into the nostrils of the man and forget to do it to the woman? The only reasonable explanation that can be given is that, in those days, among the Chaldeans, woman was considered an inferior creature, possessing no soul. She was the slave sometimes, but the servant always. She was the creature of man’s lust, of his passion, and she was placed in the Bible by the man that wrote it in just the position and condition she occupied at that period. This is a gross falsehood, it is debasing, it is an infamous libel on truth. Does any woman believe that she is a bone of her husband’s bone, and flesh of his flesh?
Verse 25: “And they were both naked, the man and his wife, and were not ashamed.” What is there extraordinary about that? Savage races up to this present time are found in many instances nude. Cæsar describes the Germans as bathing promiscuously in a nude state. Columbus found our American Indians nude. Evidently a degree of civilization had already been attained when this story was evolved. The story had its origin in the romantic regions of Chaldea, somewhere in the neighborhood of the Persian gulf, near the river Euphrates. The singer, the story-teller, or the traveling minstrel tramped from place to place, from one shepherd’s tent to another, relating the story to his crude, barbarous countrymen, reciting the curious yet pretty fable of how man was made; the world made; the garden made; how gold, onyx, and bdellium were found, and where; lauding and glorifying their own country, and making out that they were the immediate descendants of the gods.
Every nation has its fairy tales, its fables, its myths, its songs, and its romances. Whether they have their origin in Egypt, or come down embellished from Mount Olympus, whether they are the fairy tales of the Rhine, or those from the river Euphrates in Chaldea, they are only the products of imagination.