“She told me that from the time she first took a leading part in a school entertainment she had a desire for a stage career. She grew up with this desire burning in her soul, at which fire she toasted her mental shins every night before going to sleep. She never missed an opportunity to take part in any entertainment given by the local talent of her village. At seventeen she fell deeply in love with a young carpenter and they became engaged to marry. Of course, the wedding was not to take place for several years, since her young man was poor and must first set aside a few hundred dollars to start with.
“After this engagement she went to attend school in the city, where she met the son of a very wealthy business man. He fell desperately in love with her, though many years older. One evening while out riding he proposed to her, and she told him of her ambition. ‘Promise me a stage career, and I will marry you,’ she told him. He readily agreed to this, and the engagement and contract was entered into at that hour. He sent her to a training school immediately, from where she wrote to her village lover that their engagement must be declared a thing of the past, since she had resolved to go on the stage, and give up the old life and the old friends.
“The year following her debut on the professional stage she married the man who made a stage career possible, but the face of the young carpenter looked out of the shadows and reproached her as the train that took her on her wedding tour went flying through the night. Only then it dawned on her that she did not love the man who was to give her a stage career—did not love him enough to become his bride, because her heart was still back in the village with the broken-hearted carpenter to whom she gave her most sincere and innocent love.
“And ever since this ambitious marriage there is the ghost of a wrong follows her and looks with reproachful eyes from the dark corners of every opera house. Her husband is kind to her, and follows her wherever she goes, and is proud of her success; but always this truth is before her—she sold her body to secure a stage career, but her heart was never a partner in the deal. How much happier she could be in the humble home of the poor carpenter, had not ambition so blinded her unsophisticated soul.
“What is life and success and the applause of the world when love’s first and only idol lies broken at one’s feet? Happiness must be shared with those we love best, and when we are obliged to share everything the heart holds sacred with some one we can never love, the pleasures of life crumble in our hands like an image that has been reduced to ashes. And the ashes are always being blown into our eyes, and into our mouth, and the taste is bitter, bitter; and the unloved lips that touch ours are tainted with the bitterness of all life’s regrets and mistakes, though we are tied to them with pledges and promises that must never, never be broken.”
THE DEAD OF THE LAND AND SEA
Below I publish some verses I wrote thirty years ago, and while I worked as a common laborer in the lumber woods of Tioga County, Pennsylvania. In a religious discussion with a pious comrade he quoted Scripture to prove that the earth and sea shall ultimately give up their dead, and each individual shall be punished, or blest, according to the deeds committed while they lived. The more I thought over this horrible picture, the more I doubted that a God of Love would be so revengeful toward any of his poor creatures, who are born into ignorance and superstition, and must go mentally creeping through a life of hunger and pain.