Maberly, J. The Print Collector. London, 1844, p. 130.
The first American edition, New York, 1880, edited by Robert Hoe, copies the annotated description of the Essay from Bigmore and Wyman.
McClelland, N. Historic Wall-Papers. Philadelphia and London, 1924, pp. 47, 79, 141-154, 165, 324-329, 423.
Makes many references to Jackson, largely inaccurate.
Mireur, H. Dictionnaire des ventes d’art fait en France. Paris, 1911-1912, vol. 4, p. 23.
Müller, F., and Klunzinger, K. Die Künstler Aller Zeiten und Völker. 1857-1864, vol. 2, p. 430.
Müller, H. A., Müller, H. W., and Singer, H. W. Allgemeines Künstler-Lexicon. Frankfurt, 1895-1901, vol. 2, p. 240.
Nagler, G. K. Allgemeines Künstler-Lexicon. Munich. 1835-51, vol. 6, pp. 383-384.
The most extensive of all dictionaries of artists up to the time of Thieme and Becker, q.v. With Le Blanc, has the fullest catalog of Jackson’s prints.
— Die Monogrammisten, Munich, 1858-1879, vol. 3, pp. 730, 836.