The excellent collections of chiaroscuro prints in the Museums of the Smithsonian Institution have formed a valuable basis for this monograph. These prints include the set of Jackson’s Venetian chiaroscuros, originally owned by Jackson’s patron, Joseph Smith, British Consul in Venice, now in the Rosenwald Collection, National Gallery of Art, and the representative sampling of Jackson’s work in the Division of Graphic Arts, U.S. National Museum.
I am indebted to the following museums which have kindly given permission to reproduce Jackson prints in their collections. These are listed by catalog number.
Smithsonian Institution 16, 18, 19, 20, 21, 22 (also in color), 24, 25, 26, 27, 28, 29, 30, 39, 50, 51, 52, 53 (also in color), 54, 55, 56, 57, 58, 63
Museum of Fine Arts, Boston (W. G. Russell Allen Estate) 1 (also in color), 11, 14, 23, 33, 34, 38, 40 (also in color)
Fogg Art Museum 13 (also in color)
Worcester Art Museum 32
Metropolitan Museum of Art 5 (Rogers Fund) (also in color), 17, 31 (gift of Winslow Ames), 73 (Whittelsey Fund)
Philadelphia Museum of Art (John Frederick Lewis Collection) 2, 60, 61, 62, 64, 65, 66, 67, 68, 74
British Museum 2 (in color), 6, 7, 8, 9, 10, 12, 15, 37, 41, 42, 43 (also in color), 44, 45, 46, 47, 48, 49 (also in color), 59, 69, 70, 71, 72, 75, 76 (photographs by John R. Freeman & Co.)
Victoria and Albert Museum (Crown copyright) 3, 35, 36, 40