Many impressions are found in brown tones.
The Crucifixion, after Tintoretto [Le Bl. 9, N. 13]
Dimensions:
21½ × 16¼ inches (left plate), 22¾ × 16⅜ inches (center plate), 21½ × 16½ inches (right plate).
Blocks, 4:
Buff, light brown, gray, reddish brown.
Inscription, bottom center (center plate):
“Illustrissimo & Nob: Viro Dno: Dno: / Richardo Boyle Comti de Burlington & Cork &c. / Magnæ Britanniæ & Hiberniæ Pari, Hiberniæ Archi-thesaurario / Heredetario, Nobilisimi Ordinis Periscelidis Equiti &c. / Optimæ Architecturæ Instauratori ac Cæterarum Artium Liberalium / Moecenati munificentissimo. / Singolare
hoc Opus a Jacobo Robusti depictam in Schola S: Rocci Venetiis / adservatum. J: B: Jackson Anglus qui Ligno Coelavit humillime D. D. C. 1741.”
On shield, bottom center (center plate):
“Honi Soit·Qui·Mal y Pense·”
Below shield, bottom center (center plate):
“Honor· Virtutis· Premium.”
A bust portrait of a man in 18th-century dress is visible on the [right knee] of the woman with a child in the center background of the left sheet. It is not a likeness of Richard Boyle. Could this be a self-portrait by Jackson?
![[right knee]](#3569066166358194783_colorplate22b_detail.jpg.id-9152602440113379407.wrap-0.html.html){kind=link}