“Little or much of what we see we do,
We are all actors and spectators too.”
The house stood on the Bankside, Southwark, and was burnt down in June 1613, having been set on fire during one of the plays by a piece of wadding fired from a cannon falling on the thatched roof. It was rebuilt, but finally taken down in 1644 to make room for dwelling-houses.
One of the most famous Globe taverns stood, till the beginning of this century, in Fleet Street. It had been one of the favourite haunts of Oliver Goldsmith, who, it appears, was never tired of hearing a certain “tun of a man” sing “Nottingham Ale.” Goldsmith’s face was so well known here that a wealthy pork-butcher, another habitué of the house, used to drink to him in the familiar words, “Come, Noll, old boy, here’s my service to you.” Several actors, also, “used” the house,—amongst others, the centenarian Macklin, Tom King, and Dunstall. Many amusing anecdotes concerning the place have been preserved in the “Fruits of Experience,” a delightful book of city gossip, written in his eightieth year by Joseph Brasbridge, a silversmith in Fleet Street. Brasbridge was a constant visitor at this tavern.
At Aldborough, near Boroughbridge, there is a Globe public-house, in which a tessellated pavement, part of a Roman villa, may be seen. The publican informs passers-by of this by the following inscription on his signboard:—
“This is the ancient manor-house, and in it you may see
The Romans work a great curiositee.”
And the absence of the apostrophe certainly makes it so. Finally, John Partridge, the almanac-making shoemaker, so amusingly ridiculed in the Tatler, lived at the Globe in Salisbury Street. From the pursuits of that great man, we may surmise his globe to have been a celestial one.
Sometimes the Globe was gilt, “for a difference.” Thus the Golden Globe was the sign of William Herbert, printseller, and editor of Joseph Ames’s well-known work on “Typographical Antiquities.” This shop was under the Piazza on London Bridge, where he continued till 1758, when the house was taken down.
Of all the signs which may be termed “Geographical,” those referring to our own island are, of course, the most common in this country. Britannia is very general. Hone, in his “Every-day Book,” mentions a public-house in the country where London porter was sold, and the figure of Britannia was represented in a languishing, reclining posture, with the motto,
“PRAY, SUP-PORTER.”