The sign of the Swan and Maidenhead, at Stratford-on-Avon, may have originated in one of the royal badges; for we find that in 1375 the Black Prince bequeathed to his son Richard his hangings for a hall, embroidered with mermen, and a border of red and black empaled, embroidered with swans having ladies’ heads.[148] The Swan and Falcon (two badges of Edward III.) was a sign in Hereford, in 1775, as appears from the following advertisement:—
“HEREFORD MACHINE.
“IN a Day and a Half twice a week, continues flying from the Swan and Falcon, in Hereford, Monday and Thursday mornings; and from the Bolt-in-Tun, in Fleet Street, London, Monday and Thursday evenings. Fare 19s.; outsides half.”—Hereford Journal, January 12, 1775.
The Swan and White Hart may have been originally the Swan and Antelope, supporters of the arms of Henry IV., but as it at present stands two distinct royal badges are represented. This sign occurs on a trades-token of St Giles in the Fields, in the second half of the seventeenth century.
The Rising Sun was a badge of Edward III., and forms part of the arms of Ireland; but the Sun Shining was a cognizance of several kings. Various other causes may have led to the adoption of that luminary as a sign. (See [Miscellaneous Signs].)
Lions have been at all times, and still continue, greater signboard favourites than any other heraldic animals. The lion rampant most frequently occurs, although in late years naturalism has crept in, and the felis leo is often represented standing or crouching, quite regardless of his heraldic origin. The lion of the signboard being seldom seen passant, it is more than probable that it was not derived from the national coat of arms, but rather from some badge, either that of Edward III. or from the White Lion of Edward IV. Though silver in general was not used on English signboards yet, the White Lion was anything but uncommon. Several examples occur amongst early booksellers. Thus in 1604 the “Shepherd’s Calendar” was “printed at London by G. Elde, for Thomas Adams, dwelling in Paule’s Churchyarde, at the signe of the White Lion.” In 1652 we meet with another bookseller, John Fey, near the New Exchange; and about the same period John Andrews, a ballad printer, near Pye Corner, who both had the sign of the White Lion. For inns, also, it was not an uncommon decoration. Thus the White Lion in St John’s Street, Clerkenwell, was originally an inn frequented by cattle-drovers and other wayfarers connected with Smithfield market. Formerly it was a very extensive building, two of the adjoining houses and part of White Lion Street, all being built on its site. The house now occupied by an oilshop was in those days the gateway to the inn-yard, and over it was the sign, in stone relief, a lion rampant, painted white, inserted in the front wall. It still remains in its original position, with the date 1714, when it was probably renewed. Pepys’s cousin, Anthony Joyce, drowned himself in a pond behind this inn. He was a tavern-keeper himself, and kept the Three Stags at Holborn, (a house of which tokens are extant.) Heavy losses by the fire of 1666 preyed upon his mind. He imagined that he had not served God as he ought to have done, and in a moment of despair committed the rash act. We have another, and not uninteresting instance, of this sign. Sir Thomas Lawrence’s father kept the White Lion Hotel at Bristol. He afterwards removed to the Bear, at Devizes, where he failed in business. It seemed that it was this last speculation in hotel-keeping which ruined him, with reference to which local wits used to say, “It was not the Lion but the Bear that eat him up.”—Bristol Times, June 4, 1859.
Since pictorial or carved signs have fallen into disuse, and only names given, the Silver Lion is not uncommon, though in all probability simply adopted as a change from the very frequent Golden Lion. Thus there is one in the High Street, Poplar; in the London Road, and Midland Road, Derby; in the Lilly Road, Luton, Herts, &c. The Red Lion is by far the most common; doubtless it originated with the badge of John of Gaunt, Duke of Lancaster, married to Constance, daughter of Don Pedro the Cruel, king of Leon and Castille. The duke bore the lion rampant gules of Leon as his cognizance, to represent his claim to the throne of Castille, when that was occupied by Henry de Transtamare. In after years it may often have been used to represent the lion of Scotland.
The Red Lion Inn at Sittingbourne is a very ancient establishment. A new landlord, who entered circa 1820, issued the following advertisement:—
“WM. WHITAKER having taken the above house, most respectfully solicits the custom and support of the nobility and gentry, &c., &c.
“The antiquity of the inn, and the respectable character which it has in history are recorded as under:—
“Sittingbourne, in Kent, is a considerable thoroughfare on the Dover Road, where there are several good inns, particularly the Red Lion, which is remarkable for an entertainment, made by Mr John Norwood, for King Henry the Fifth, as he returned from the battle of Agincourt, in France, in the year 1415, the whole amounting to no more than Nine Shillings and Ninepence. Wine being at that time only a penny a pint, and all other things being proportionably cheap.
P.S.—The same character in a like proportionate degree Wm. Whitaker hopes to obtain by his moderate charges at the present time.”
Red Lion Square, Holborn, was called after an inn known as the Red Lion. “Andrew Marvell lies interred under ye pews in the south side of St Giles church in ye Fields, under the window wherein is painted on glasse, a red lyon, (it was given by the Inneholder of the Red lyon Inne, Holborn.)”[149]
Another celebrated tavern was the Old Red Lion, St John’s Road, Islington,—which has been honoured by the presence of several great literary characters. Thomson, of the “Seasons,” was a frequent visitor; Paine, the author of the “Rights of Man,” lived, here; and Dr Johnson, with his friends, are said often to have sat in the parlour. Hogarth introduced its gable end in his picture of Evening.